Sports Photography How To

Tips from a photography director.

Have you ever wanted to shoot sports, particularly surfing images? Photographing high action isn't as easy as it looks, according to Larry "Flame" Moore, director of photography at Surfing magazine, a publication that keeps its pulse on the latest events in the surfing world.

Like it or not we live in an era where camera manufactures compete with each other for how much resolution their products offer. But there's a big difference between what you want and what you really need. That's why, budget notwithstanding, it's time to ask yourself how many megapixels are necessary for your style of photography.

There's nothing worse than coming upon an awe-inspiring landscape scene, setting up your gear, and capturing what you think is an epic photograph—only to discover that the image is soft when you review it on the computer. The are a number of reasons for unsharp images, and the tutorial below provides a "guaranteed" method for nailing focus every time.

Got game? Look who's massively covering the sporting event that has the whole world's attention.

More than 240 Sony cameras will be in or near the Caesars Superdome covering Super Bowl LIX that pits the Kansas City Chiefs against the Philadelphia Eagles on February 9th in New Orleans, Louisiana. Kickoff is 6:30 p.m. EST. Let's take a peek inside the equipment locker.

Of course sports photographer Eric Bakke can capture the peak action moments. He’s team photographer for the Denver Broncos, shoots X Games for ESPN, and contributes sports images to newspapers, magazines, and organizations. Here, though, we want to talk about his pursuit of a different kind of sports image, one that most often pictures a single athlete and aims for art over action.

Don’t even think about shooting a baseball game with a smartphone—unless maybe you’re Kris Bryant and you’re guarding the third base line. A superzoom camera enables you to get all of the action—if you use it in the right way. Here are our favorite tips for shooting Sporting Events with a superzoom camera.

Mark Alberhasky, for one. Put him in a great situation where he can take very cool photographs and he’ll nail them nine times out of 10. Chances are, though, that won’t be enough. Just because the photos he’s making look good doesn’t mean he won’t be thinking about what he can do to create even better ones. You can attribute that drive to several factors, one of which is his early realization that if he took a straightforward photo of what everyone else was seeing, no matter how good a photo it was, it would be just that: what everyone else was seeing. The goal was to come up with his own ideas and add them to the creative process, and many of Mark’s photos are the result of taking that e