The usual goal when editing our images is to emphasize the capabilities of today’s modern cameras by adjusting colors, contrast and other key variables to achieve a clean, vibrant, natural look. The Photoshop tutorial below switches things up by explaining how to give images a nostalgic appearance with beautiful vintage colors.
Outdoor photographers are at the mercy of Mother Nature, and one aspect of a scene that can make or break an image is the appearance of the sky. Sometimes we confront dull overcast conditions, other times the sky is a flat blue, and perhaps the best situation is a bright blue sky with billowing clouds.
Experienced landscape photographers know that some intense colors are difficult to deal with during the editing process, especially when processing images captured just as the sun drops below the horizon. In this tutorial from the PHLOG Photography YouTube channel you'll learn how to render these vibrant tones in Lightroom while achieving a realistic effect.
Landscape photographers know that the sky in a scene can make or break a photo. Soft billowing clouds make for compelling imagery, as do dark, threatening skies that evoke a dramatic sense of doom.
Let’s say you’ve shot a cool outdoor image where just about everything in the photo looks good. Sharp and interesting subject? Check. Leading lines in the foreground? Check. Decent lighting? Check. Interesting looking sky?
This time of year the beautiful winter wonderland provides great opportunities for enchanting nature photos. And even if you don’t live where snow blankets the ground, the barren landscape, devoid of spring, summer and fall foliage, is the perfect time for capturing stark, minimalist images.
You’ve no doubt admired beautiful landscape photos with soft flowing water and cotton-like clouds, and perhaps wondered how they were captured. The typical approach is to use neutral density (ND) filters that significantly reduce the amount of light entering the lens, thereby permitting very slow shutter speeds that create this ethereal effect.
There are all kinds of excuses for unappealing landscape photos: The sun is too bright, weather is awful, no clouds in the sky, dull, drab light—just to name a few. But if you’re serious about photography, and know your way around Photoshop, it’s time to stop complaining and transform these duds into something really special.
If you want to step out of your comfort zone and try something different, you’ve come to the right place. The tutorial below demonstrates a simple creative technique for expressing yourself that’s a lot of fun.
Wouldn't it be nice to monetize the love of photography without quitting your day job? Even if you don't cash in big, a few easy sales here and there will help you afford upgrading your gear while receiving some well-earned recognition in the process.
Every great photo needs a compelling subject to capture the viewer's attention but achieving this goal this be quite challenging when shooting on flat or gloomy days when everything in a scene seems to blend together.
We've been singing the praises of Luminar software for some time now and now photographer and YouTuber Pierre T. Lambert has discovered it as well. In the below video, he shows you how to make your photos epic in under two minutes while using the new Luminar 4 program.
Pro photographer Tom Mackie gets so many questions about how to make photos “pop,” he decided to do a whole video on the subject, which we have embedded below. And while a lot of folks might think all you need is some deft Photoshop skills to get your images to sparkle, there’s really a lot more that goes into it than that.
Have you ever returned from a shoot, thinking you captured a bunch of great shots, only to be disappointed when you review the images on a computer? Well, join the club, because this happens to the best of us on occasion.
For centuries, scientists have labored to understand the nature of light. Some ancient Greeks believed that light was emitted from the eyeball the same way a bat sends out an echolocation chirp which allows him to determine his precise position in physical space. Understandably, there were problems with that hypothesis. Other theories followed. Those who embraced the wave theory were right—mostly. Light behaves like a wave up to a certain point. Similarly, those who professed the particle theory were also correct—partly.