Photo How To

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Jon Sienkiewicz  |  Jan 20, 2017  | 

Welcome back! Last week we covered lenses that are well suited for five of the most popular camera activities, including kids’ sports, travel and online auctions. If you missed that piece, you’ll find it here. This week—as promised—five more lenses for five more activities. These are sometimes thought of as being in the realm of more advanced hobbyists, but that ain’t necessarily so. Read on…

Ron Leach  |  Jul 21, 2022  | 

Ask any experienced landscape photographer to identify the most important tool in his bag, and the answer is likely to be, “My ND filter.” Or more accurately, “My set of ND filters.”

Ron Leach  |  Mar 12, 2021  | 

One question we’re frequently asked is, “Should I buy a zoom lens or a prime?” And like many age-old questions, the answer is “It depends.” To give you thoughtful response we’d want to know your budget, the type of photography you do, whether or not you frequently shoot in low-light conditions, and how much gear you’re willing to lug around in the field.

Ron Leach  |  Dec 29, 2022  | 

We all strive to capture true-to-life photos so they look as great as possible straight out of the camera. That means paying close attention to exposure focus, and other key shooting variables, as well as choosing the proper camera settings for the specific task at hand.

Ron Leach  |  Jul 19, 2023  | 

Most of the post-processing tutorials we feature involve editing techniques in Photoshop or Lightroom. Today we're switching things up with a video for Adobe Photoshop Elements users, with a quick and valuable lesson from the HTG George YouTube channel.

Ron Leach  |  Oct 02, 2024  | 

Just about all Lightroom users know that the software includes a variety of timesaving presets for creating numerous effects and quickly dupicating specific edits you made in the past. In addition to the built-in presets there are others you can download at nominal cost, and even create some of your own.

Ron Leach  |  Apr 03, 2024  | 

Dealing with image-killing noise is a task commonly faced by landscape photographer who shoot at high ISO settings, either because of low-light conditions or when using slow shutter speeds to capture motion. In either case, there's a simple way to remove these ugly artifacts, and today's tutorial from the PHLOG Photography YouTube channel explains how it works.

Ron Leach  |  Sep 30, 2024  | 

There are countess reasons you may want to modify certain colors in a photo whether it was captured indoors or out. Perhaps a landscape image looks really great, except for a dull or lifeless sky. Or maybe you want to change the background used for a macro photo to make it more complementary to the tones in the subject.

Seth Shostak  |  Sep 07, 2017  | 

Before you bought your last camera, did you weigh the pros and cons of the sensor’s aspect ratio? My guess is no—not in the face of more solemn considerations such as style, trim, and a boastful shoulder strap.

Ron Leach  |  Dec 11, 2024  | 

If you're struggling with the autofocus of your camera and not achieving razor-sharp images on a consistent basis you've come to the right place. The following tutorial from an experienced pro demonstrates a variety of common mistakes and foolproof solutions for perfect results.

Ron Leach  |  Jul 10, 2024  | 

Most experienced photographers rarely shoot without a lens hood for several important reasons, whether they're photographing indoors or out. These affordable accessories not only protect the front element of a lens from damage, but they also improve image quality in a number of ways.

Deborah Sandidge  |  Jan 16, 2023  | 

When I started in photography my pictures were factual; they fulfilled the “here’s what it looked like” requirement and checked off all the familiar guides: a clearly-defined subject; properly placed leading lines; the rule of thirds obeyed; backgrounds taken into careful consideration. But they were static images, and there was no real communication of what the images were about.

Ron Leach  |  Feb 01, 2023  | 

This video may be controversial because lenses with maximum apertures of f/2.8 or faster tend to get all the love. That’s because they typically fall into the “premium” or pro category and are so useful for shooting in low light. But slower lenses with f/4 maximum apertures have a few significant benefits too.

Michael Chiusano  |  Jul 06, 2017  | 

Today’s digital cameras have become so adept at almost any shooting situation that, paradoxically, they can inhibit creativity by always delivering a technically perfect result. With little effort, a photographer can produce a sharp, clear, well-exposed image, color balanced and, well, a bit too perfect.

Ron Leach  |  Mar 14, 2023  | 

The history of photography and camera technology is littered with controversies about the “best” way to capture an image. For a while shooters questioned the value of autofocus, then there was a debate regarding the quality of digital images vs. those shot with film.

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