LATEST STORIES

Rick Sammon  |  Feb 01, 2001  |  0 comments

I'm a still photographer: I shoot only still pictures. Video? It's cool, but I like to capture individual "frozen moments in time." However, I often like to convey action--and the grace of a moving subject--in my still...

Jack Hollingsworth  |  Feb 01, 2001  |  0 comments

It's the seeing that's
the magic, not the technique, the execution, or the equipment. The magic
that makes the difference between an okay photograph and a great one is
seeing the scene or the element in the scene, capturing it and moving...

Darryl C. Nicholas  |  Feb 01, 2001  |  0 comments

In the old days, in a wet darkroom, we frequently sepia toned our black and white prints. The real goal of sepia toning a print was to alter the chemicals in the emulsion to improve the life of the image. But, of course, many folks simply liked the look...

Steve Bedell  |  Feb 01, 2001  |  0 comments

I get a whole new way of seeing things when I put black and white film in the camera. It seems like I have a little Photoshop Desaturate command that goes off in the back of my head and suddenly I see everything in shades of gray. Anyone who's...

Darryl C. Nicholas  |  Feb 01, 2001  |  0 comments

Almost all enlargers will accept lenses of different focal lengths, designed so you can match the focal length of the lens to the size of the negative that you are printing. If you do not, your negative might not print correctly.

David B. Brooks  |  Feb 01, 2001  |  0 comments

Only recently have individual photographers been offered affordable scanner models that can scan 6x4.5 and 6x6cm 120 film images with quality sufficient to match that of the latest 13x19" ink jet printers. A new large format (12.2x17.2")...

Tom Fuller  |  Feb 01, 2001  |  1 comments

Our project this month is to turn a hanging garment bag into an effective film drying cabinet. Although this is just barely a Level 2 Project (see the April 2000 issue for an explanation of my DIY complexity scale), it requires the wiring of an AC...

Joe Farace  |  Feb 01, 2001  |  0 comments

Take a look at the photograph of me that accompanies this month's column. Nothing remarkable, wouldn't you say? I am standing in front of the Applied Science Fiction (ASF) stand at the photokina 2000 show in Köln, Germany, last...

Dave Howard  |  Feb 01, 2001  |  0 comments

As there's no such thing as the one perfect camera for all photographic pursuits, there's also no one perfect tripod all camera support tasks, although I'll admit to having taken a rather inordinately long time early in my...

Joe Farace  |  Feb 01, 2001  |  0 comments

One of the reasons purists often refer to black and white prints as "monochrome" is that it's a much more precise term that also covers prints made in sepia and other tones. One of the advantages of working with monochromatic digital...

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