Software How To

If you are an aficionado of the rich tones and subtle gradations of fine black and white and toned images, Tonality Pro 1.0 from Macphun is a tool you will want to try. For Mac only,  the Tonality black-and-white photo converter is available as a stand-alone and as a plug-in for Adobe Photoshop, Lightroom, and Elements, as well as Apple Aperture.

Many features of Photoshop Elements can be customized to suit your liking. Surprisingly, some experienced users overlook this powerful capability. A great place to start is at the Preferences menu. This screen shot is from the Mac version, but the same concept applies to Win as well as full-blown Photoshop products.

Whether you need to add special effects and edges, perfect a portrait, enlarge a small file for a big print, erase an unsightly sign, pump up detail, add lens blur, or simply make basic color and tonal corrections quickly, Perfect Photo Suite 8 (PPS8) from onOne Software has an incredible number of tricks up its sleeve. What’s more, it works as a stand-alone with layers and masks if you seek these more advanced options. With eight modules and hundreds of one-click presets, the tools in PPS8 for automated and manual enhancements help you to correct, stylize, and retouch images in a layered workflow.

The image color of even a conventional black and white silver print is rarely black, white and grayscale shades. It may be warm (golden) or cold (blue) neutral or toned (sepia, magenta). Over many years print makers and chemists developed paper and developer combinations, as well as after-printing toners, to add additional color to monochrome silver prints. For example, using a warm-tone paper such as Agfa Portriga and a warm-tone enhancing developer, such as Selectol Soft, could alter image color. This yielded brownish blacks and creamy whites. A cold-tone paper could be developed in Dektol and after fixing toned in a mild dilution of rapid selenium toner for added “snap”, resulting in a “harder” bright white/deep black effect.

There are many ways to share images these days, from social networks to clouds to full-fledged e-commerce platforms. For some, simple online albuming will do, but for others it can become an involving project that puts your images on the Internet in a very engaging way. It’s not only in the personalization of the look and feel of the wrapper around your image content that can separate your site from the crowd. It’s also the ability to work cross-platform, include an e-commerce component, and allow for a “translator” that can make your site accessible to folks and even clients around the world that can add to its attractiveness and functionality.

It all began back in 1990 with a shareware program called Paint Shop. Debuting the same year as Adobe PhotoShop 1.0, comparison to that legendary product has been inescapable. Paint Shop, known as PaintShop Pro X6 Ultimate in its current incarnation, has always been associated with three characteristics: extreme affordability, sufficient power for most photo enthusiasts, and Windows-only compatibility. PaintShop Pro has continued to evolve and improve, and today offers many significant enhancements, including the ability to run smoothly on Macs using a Windows emulation program.

This is the third edition of Portrait Professional I have reviewed so I’ll focus this review on three areas of investigation in Version 11: what can it do, how quickly can it do it, and what’s new. I should note that I am reviewing the Studio 64 version that can handle Raw files and utilize 64-bit versions of Windows 7 or Vista. The Standard version works with JPEG files or 24-bit TIFF files; the Studio version can also work with Raw files but is limited to 48-bit color. The program can be used with Windows XP and up and also Intel Mac OS X 10.5 or later. It acts as both a stand-alone product and as a Photoshop, Photoshop Elements, Lightroom, and Aperture plug-in.