Software How To

Photoshop’s Selection tools offer a variety of ways to improve an image. They enable you to lighten or darken one portion of a scene without affecting the rest of the image, selectively adjust colors, remove distracting elements, or cut out an object from one photo and place it on another.

By now you’ve probably realized that some images look better in b&w than they do in color. You can always set your camera to monochrome, but most photographers prefer shooting in color, and making the conversion during the editing process, so they have a choice of which look they prefer.

Today we’re not going to get into another discussion of the many advantages of Raw files compared to JPEGs. Let’s just assume that, for whatever reason, you shot a bunch of JPEG images and they look really awful.

Let’s face it: Not all of us have the time or means to go on safari to photograph exotic animals in their natural habitat. The next best option is a trip to the local zoo with a long lens, and that can be a load of fun.

It’s not uncommon to have a distracting object or two in otherwise beautiful outdoor images. Sometimes that’s because you weren’t paying attention, while in other cases there was simply no way to compose the scene without the offending objects in the frame.

One of the basic tenets of landscape photography is to “be at the right place at the right time,” which is why many of us prefer to shoot at blue hour—just before sunrise or after sunset. But what if you stumble upon a beautiful scene earlier in the day when the light isn’t quite right?

Macro photography in winter? You bet. Opportunities abound this time of year, from snowflakes, berries, and pinecones, to frozen dewdrops and barren tree branches covered with sparkling frost. If you’re new to close-up photography, the quick tutorial below will help you get started.