Software How To

Using long exposures during the day is a great way to create unique landscape and nature photos. This technique results in an ethereal look, with soft, dreamy water and cotton-like clouds. The typical approach is using ND filters to dramatically reduce the amount of light entering the camera, but there’s a post-processing trick for getting the job done.

Sometimes you come across a great scene, apart from the fact that two or more objects in the frame are too close together for an ideal composition. In some situations it’s possible to rectify the problem by changing your vantage point, but if that’s not possible there’s a quick editing fix.

You'd think that Photoshop would do a better job of making it easy to create vignettes for your images, but it doesn't, according to Blake Rudis of f64 Academy. And he's right.

When heading out for a day of landscape photography, most shooters instinctively reach for a wide-angle lens. That’s because conventional wisdom dictates that capturing expansive vistas is the best way to go. Unfortunately, if you’re afflicted with this common reflex, many great photo opportunities will pass you by.

After a quick glance at the above headline, some of you may wonder, “Why would anyone edit an image five different ways?” Well, whether you’re an athlete, musician or a passionate photographer, it’s all about practice.

Whether you’re attempting to photograph the Milky Way, or simply trying to capture a sparkling nighttime sky over your backyard, astrophotography can be intimidating. And once you’ve captured a few shots, editing the images may also seem like a daunting task.

What, what? If you’re confused by the headline above, admittedly so was I. One of the first things many of us do when opening Photoshop is use the Levels tool to make quick, basic adjustments to exposure. But according to a very trusted source, you should never, ever use Levels. If that sound like blasphemy, read on.