Medium Format Camera Reviews

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Jason Schneider  |  Jan 28, 2015  |  0 comments

I’m hardly what you’d call a Film Dinosaur. Over 98% of the images I shoot are captured digitally. But, after I recently ran a dozen rolls of Kodak Tri-X 120 through some ancient medium-format roll film cameras, and had it developed, scanned, and printed on Fuji Crystal Archive photographic paper, I’m a much better digital photographer because of it.

Edited by George Schaub  |  Sep 18, 2012  |  First Published: Aug 01, 2012  |  3 comments

Every year the Technical Image Press Association (TIPA), a worldwide association of photo and imaging magazine editors, meets to pick the Best of Class in a wide range of photo categories. As the sole US member of the association, Shutterbug joins editors from Europe, Asia, and Africa in the nominating, judging, and selection process. One of the most exciting aspects of photography today is the constant advancement of technology and design, and this year’s Top Products reflect that spirit and those accomplishments, including new categories of Video D-SLR and Mobile App. Editor George Schaub joins all fellow TIPA members in congratulating those selected to receive the prestigious TIPA award. (To learn more about TIPA, please visit the website at: www.tipa.com.)

Jack Neubart  |  Jan 23, 2012  |  First Published: Dec 01, 2011  |  0 comments

It isn’t often that as a camera reviewer you get the chance to test a camera with the technical experts right at hand, but that’s how I got to know the Phase One 645DF and IQ160 back. Actually, I attended one of the company’s Phase One Digital Artists Series workshops in Chicago with other photographers (see PODAS workshops sidebar for further info on this and other workshops the company is offering). Beyond the guided portion of the workshop, we were given time to go off and work with the camera at our own pace. It didn’t take long to find my comfort zone with the new IQ system. By the end of day one, I had a working familiarity with the camera and back and hardly paid attention to the big bundle I was hefting. Although I often felt quite at ease shooting handheld, for night photography and some other occasions I did employ my trusty Benbo tripod, with the camera seated on a Foba Superball M-2 on one day, an Acratech GP-L ball head on another.

Joe Farace  |  Feb 01, 2011  |  0 comments

Now I know how my erstwhile colleagues at our sister publication Motor Trend feel when they test drive a $1,770,000 Bugatti Veyron.

Jack Neubart  |  Nov 01, 2009  |  1 comments

On the surface, the Phase One 645 AF medium format D-SLR is the identical twin to the Mamiya 645AFD III, albeit with the Phase One logo.

Jack Neubart With Linda Bohm Gerald Marrazzo  |  Sep 01, 2009  |  0 comments

Technical Specifications: Mamiya 645AFD III
Type: 6x4.5cm format (actual image size 56x41.5mm), electronically-controlled focal-plane shutter, TTL multimode AE, AF single lens reflex
Viewfinder: Fixed prism viewfinder, with built-in diopter adjustment and built-in eyepiece shutter
Focusing Screen:...

Roger W. Hicks  |  Apr 01, 2008  |  0 comments

What is the appeal of "retro" photography? I mean, surely, hasn't everyone "gone digital" nowadays? And equally surely, wouldn't you admit that the three new ZV Classic lenses from Zeiss, for traditional Hasselblads, are as retro as they come?
The answer is no, on both counts.

 

First, film has no more been killed by digital than...

Robert E. Mayer  |  Feb 01, 2008  |  1 comments

There were two models of the versatile Mamiya Press medium format rangefinder cameras in the 1960s and '70s, the Universal Press and the Press Super 23. These cameras were designed to be more compact and in many respects more versatile than the bellows type 4x5 and 2x3 press cameras of that era, such as the Speed Graphic, Busch Pressman, and Linhof Technica. The main...

Rick Shimonkevitz  |  Aug 01, 2007  |  0 comments

As we journey further into cyberspace, it is inevitable that the oldest of methods for forming an image has found resurgence. Pinhole photography can be both fun and a serious pursuit. Notice the introduction of make-your-own pinhole camera kits as well as manufactured cameras for small and large formats. There is a published journal devoted to the craft and several websites...

Steve Anchell  |  Apr 01, 2006  |  0 comments

If you want to make an immediate improvement in your photography, move up to medium format. Not just because of the larger format, which will instantly provide better resolution and quality, whether you use digital or film; more importantly, the larger viewing screen will assist you in defining your subject and refining your composition. I have seen near instant improvement occur...

Jason Schneider  |  Jan 01, 2006  |  0 comments

Just the other day a buddy of mine bought the Hasselblad he'd always wanted but couldn't afford at the unheard price of $475. It was a 20-year-old Hasselblad 500C/M, the functional equivalent of the current 500C/W. He purchased it from a private seller for $475 in near-mint condition, complete with 12-exposure back, waist-level finder, and 80mm f/2.8 Carl Zeiss...

Uwe Steinmueller  |  Jan 01, 2004  |  0 comments

With high-end 35mm digital SLRs currently sporting 11 to 14-megapixel resolution, some photographers ask the question: Is there still an advantage to medium format if you work only in digital?

The Hasselblad H1 answers that question. The H1 is both a film and a...

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