Lighting News

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Cynthia Boylan  |  Sep 25, 2014  |  0 comments

A great tool to have in your gear bag or pocket when shooting at night or in dark areas in the rugged outdoors, the Pelican ProGear 3310PL LED flashlight flashlight was created to be tough, reliable and practical.

Cynthia Boylan  |  Sep 24, 2014  |  0 comments

Designed with many of the same features that made the original Odin so popular, the Phottix Odin II TTL UI and control system are now faster and easier to use. This updated model offers a 2.5 GHz frequency (with a range of 100m), 32 channels (with a digital ID code), 5 groups (A, B, C, D, E), group buttons and a convenient control dial for fast power changes, a manual power control (1/1 to 1/256), a flash zoom control, high speed sync (up to 1/8000s), an AF assist beam, a modeling light control (Indra500 only), second curtain sync and a TTL power control +/- 3EV. 

Cynthia Boylan  |  Sep 02, 2014  |  0 comments

Crafted from type II hard anodized aluminum, Pelican’s durable ProGear (2380R) rechargeable LED flashlight weighs just 6.6 ounces and offers 3 modes: High (305 lumens), Low (30 lumens) and Strobe. Ideal for night photography and various other uses, it is powered by an efficient lithium ion battery allowing it to shine bright for 3 hours and 30 minutes in High mode or up to 25 hours in Low mode. 

George Schaub  |  Aug 29, 2014  |  0 comments

The Technical Image Press Association (TIPA) member magazines recently convened for their General Assembly to vote for the best photo and imaging products launched by the industry in the last 12 months. The voting took place during the General Assembly that was held in spring, 2014, in Vancouver, Canada.

Cynthia Boylan  |  Aug 25, 2014  |  0 comments

Pelican is now offering 3 new models of safety-approved headlights. They are crafted from lightweight (just over 3 ounces), durable, water and weather resistant polymer. Ideal for night photography, these hands free lights are easy to use and inexpensive to operate, powered by 3 AAA batteries (included). 

 

Cynthia Boylan  |  Aug 20, 2014  |  0 comments

Metz has just launched the latest addition to its flash system lineup: the new Mecablitz 64 AF-1. Offering an impressive guide number of 64 (210 feet) at ISO 100/21˚, it has a large color touch display, an Automatic Flash mode with 12 f/stops, a Manual Flash mode with 25 partial light levels and a Remote TTL mode.

Cynthia Boylan  |  Jul 28, 2014  |  0 comments

LEDGO has introduced a new line of professional LED light panels (models LG-600S, LG-600CS, LG-1200S and LG-1200CS) that feature a >95 CRI rating, an all metal housing and removable metal barn doors—in single and bi-color models—and Sony V-Lock battery adapter plates. Prices range from $439 to $799.

C.A. Boylan  |  May 06, 2014  |  First Published: Apr 01, 2014  |  0 comments

Nikon COOLPIX L830
The COOLPIX L830 is an ergonomically designed high-ratio zoom camera with a 3” high-resolution tilt LCD monitor. It features a 34x optical zoom range plus a 68x Dynamic Fine Zoom (an enhanced type of digital zoom) range and a 16MP backside illuminated (BSI) CMOS sensor. It records Full HD (1080p) video, even in low light, and reduces the danger of camera shake with the aid of the Lens-shift Vibration Reduction (VR) system. The L830 model’s intelligent features include Easy Auto mode and Smart Portrait System as well as 18 Scene modes and a selection of special effects. The model is available in black and red and has a retail price of $299.95.

Joe Farace  |  May 02, 2014  |  First Published: Mar 01, 2014  |  0 comments

There is something quietly satisfying about working with finely crafted tools. It’s a feeling I remember having back in the film days when making photographs with my first Hasselblad 500C/M camera and one I had again while shooting with Broncolor’s Move 1200 L Outdoor Kit 2. It made creating all of the images that you see here easier and fun to shoot, and it’s in this spirit of play where creativity lives, inspiring a photographer to try new ways to make better photographs. Broncolor’s Move Kit is just that kind of lighting system.

Jack Neubart  |  Apr 29, 2014  |  First Published: Mar 01, 2014  |  0 comments

A handheld meter is not just for studio work. Tricky lighting situations, high contrast, and unusual subject tonalities can often pose problems for camera metering systems, as advanced as they are. Beyond that, the camera meter can’t help with studio flash.
The first step toward taking tighter control with a broader range of lighting situations is to use a handheld meter. Enter the new Sekonic LiteMaster Pro L-478DR (PocketWizard version). Out of the box, it measures incident light. This exposure meter will also prove valuable when working with studio (or any manual) flash or a mix of ambient light and flash.

Jack Neubart  |  Apr 25, 2014  |  First Published: Mar 01, 2014  |  1 comments

For the studio photographer on location or shooting environmental portraits, connecting a studio strobe to a battery pack, battery-driven power pack, or pure sine wave inverter frees one of the constraints of plugging into an AC outlet and worrying about tripping circuit breakers or blowing a fuse, and it removes wires that could prove hazardous (combined with wireless syncing of the flash, I might add). And wedding and event photographers who rely on portable strobes that run entirely on external battery power are well familiar with the benefits—power that lasts and keeps pace with the event. There are countless choices, whether you’re just starting out or looking to upgrade or expand your lighting system.

Joe Farace  |  Apr 11, 2014  |  First Published: Mar 01, 2014  |  1 comments

First impressions: the D-Lite RX ONE To Go Kit includes a pair of Elinchrom monolights so you know it’s going to contain quality products. Then you discover that the maximum output of each light is 100 watt seconds and you start to think you’ll need more power. That’s until you’re reminded that this fully loaded two-monolight Elinchrom kit sells for less than $700. Interested now?

Steve Bedell  |  Apr 01, 2014  |  First Published: Feb 01, 2014  |  0 comments

The digital camera revolution has brought about many changes, not the least being the ability to photograph in low-light levels that were only wishful thinking a few years ago. That ability has also spawned significant changes in lighting equipment. In many cases, high-powered flash equipment is no longer needed when you can simply turn the ISO dial on your camera to achieve the desired f/stop. And with small product photography, it makes more sense for many of us to use inexpensive constant light sources rather than high-powered strobe setups. There’s no doubt that the trend to more constant light options in both daylight and tungsten color balance will continue.

Steve Bedell  |  Mar 28, 2014  |  First Published: May 01, 2014  |  0 comments

One of the reasons you might consider a “third-party” shoe mount for your camera is simple—it’s usually less expensive, sometimes considerably so. Saving a few bucks is good, but perhaps some features are missing, or the construction isn’t as robust, or the resale value will be lower. But sometimes it just may be a smart choice, as I found when testing the Phottix Mitros flash for my Nikon.

C.A. Boylan  |  Mar 13, 2014  |  First Published: Jan 01, 2014  |  0 comments

Nikon SB-300 Speedlight
Small enough to fit into a shirt pocket, the SB-300 Speedlight provides more power and coverage than a built-in flash. Compatible with both Nikon D-SLR and Advanced Performance Coolpix cameras, it covers a wide-angle 18mm in DX format and operates via simple on-camera controls. The SB-300 tilts up to 120 degrees, allowing for more flattering portraits and even exposures. Powered by two AAA batteries, the SB-300 features thermal cut-out protection to prevent overheating when capturing rapid flash images in succession. The suggested price is $149.95.

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