Lens News

Sort By: Post DateTitle Publish Date
Henry Anderson  |  May 12, 2021  | 

The Canon RF 50mm F/1.2L USM lens retails for about $2200 while the RF 50mm F/1.8 STM lens sells for just $200. So, what's the difference between these two 50mm lenses aside from about $2K? A lot, according to Jay P Morgan of the Slanted Lens who pits the two optics against each other in a head-to-head shootout in the video below.

Deborah Sandidge  |  May 07, 2021  | 

Before I answer the question above, a few words about the kinds of pictures I like to take. Simply, they are pictures that are different—different from what others might be shooting at a particular location, even different from what I might have shot at that location the last time I visited.

Sponsored  |  May 04, 2021  |  First Published: Apr 30, 2021  | 

Spring is here and summer is right around the corner, which means it's a great time to go out and take photos. Whether you're capturing gorgeous landscapes, close-up macros of flowers and insects, or zoomed in shots of wildlife, the warmer weather and beautiful light provide many picture-taking opportunities.

Jon Sienkiewicz  |  Apr 25, 2021  | 

Hands on with a Hasselblad X1D II 50C medium format mirrorless camera, Hasselblad 24mm f/4.8 HCD wideangle lens and the enigmatic Hasselblad XH Converter 0,8. Does this change our attitude toward converter lenses? Continue reading to find out.  

Henry Anderson  |  Apr 15, 2021  | 

Recently we shared with you what one professional photographer called the best camera for boudoir beginners. Now here's another boudoir pro recommending what she says is the best lens for capturing intimate portraits.

Jon Sienkiewicz  |  Apr 02, 2021  | 

7Artisans just released the updated Mark II version of their popular 7.5mm f/2.8 Fisheye lens and it’s about the most fun a photographer can have for $139. We borrowed an early sample in Fujifilm X mount and here’s what we discovered.

Ron Leach  |  Mar 29, 2021  | 

We all love new gear, and many photographers are constantly chasing the latest innovations in cameras, lenses, and accessories. But in many cases you can capture amazing images with the gear you already own, especially if you refine your skills with a few simple tricks.

Ron Leach  |  Mar 24, 2021  | 

Conventional wisdom is that landscape photography calls for wide-angle lenses. Another “rule” is that if you shoot with long lenses a tripod is absolutely essential. But this quick tutorial takes a somewhat radical approach that you may find surprising.

Jon Sienkiewicz  |  Mar 19, 2021  | 

Tamron just announced the world’s first f/2.8 lens in the 17-70mm zoom range for Sony mirrorless cameras. Focusing as close as 7.5 inches and measuring just 4.7-inches long, the new zoom features advanced image stabilization that is AI-enhanced when shooting video. We tested the Tamron 17-70mm f/2.8 on Sony cameras with APS-C sensors and with Full Frame sensors. Here is what we found.

Ron Leach  |  Mar 12, 2021  | 

One question we’re frequently asked is, “Should I buy a zoom lens or a prime?” And like many age-old questions, the answer is “It depends.” To give you thoughtful response we’d want to know your budget, the type of photography you do, whether or not you frequently shoot in low-light conditions, and how much gear you’re willing to lug around in the field.

Henry Anderson  |  Mar 10, 2021  | 

One of the hardest things for beginners to understand in landscape photography is picking the right aperture. The main reason aperture selection is so confusing for newbies is that there are two schools of thought when it comes to composition, landscape pro Mark Denney explains in the below video.

Ron Leach  |  Mar 03, 2021  | 

Last week we discussed the basics of depth of field, a key concept enabling you to capture better images. Today we’ll explore the topic further, through the eyes of an experienced pro.

Kyle Long  |  Feb 26, 2021  | 

Over the years I have worked with hundreds of musicians and captured thousands of photos. While each performance is different, there are five tips that you can follow to make sure you leave with great, portfolio-worthy photos at your next concert.

Henry Anderson  |  Feb 24, 2021  | 

An ultra-wide-angle lens would seem to be a fun tool to use for landscape photography, but it comes with some inherent problems that are hard to avoid, explains landscape pro Mark Denney in the below video. When Denney switched last year from a Sony full frame camera system to a Fujifilm crop sensor camera, he ended up buying a Fujifilm 8-16mm lens, which is the equivalent to a 12-24mm lens.

Ron Leach  |  Feb 22, 2021  | 

Lens Filters were more commonly used back when everyone shot film, perhaps because some digital photographers are imbued with the notion that “You can always fix it in Photoshop.” And that’s a shame because putting a filter on your lens is an easy way to “get it right in the camera,” rather than resorting to post-processing enhancements.

Pages

X