Lens News

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Ron Leach  |  Oct 23, 2023

Tilt-shift lenses work wonders to significantly refine an image in a number of important ways. Unfortunately these specialized lenses are extremely costly and beyond the means of many photographers—especially for the limited application they provide.

George Schaub  |  Aug 29, 2014

The Technical Image Press Association (TIPA) member magazines recently convened for their General Assembly to vote for the best photo and imaging products launched by the industry in the last 12 months. The voting took place during the General Assembly that was held in spring, 2014, in Vancouver, Canada.

Shutterbug Staff  |  Nov 16, 2022

Act now and you can save $100 on the exciting new Tokina atx-m 11-18mm f2.8 E zoom for Sony E APS-C format mirrorless cameras during Tokina’s Holiday Instant Savings Event.

Peter K. Burian  |  Jan 01, 2006

Although many zoom lenses are labeled as "macro" that designation generally refers only to moderately close focusing ability. With a few exceptions, such zooms are not adequate for a dramatic frame-filling image unless the subject is quite large. (A few tele macro zoom lenses are capable of much higher magnification, however.) On the other hand, true macro lenses can...

Jack Neubart  |  Aug 01, 2008

I developed a love for fisheyes way back when I was shooting film. In fact, when I took the digital route, the first new lens I bought for my brand-new Canon EOS 5D was a fisheye.

I figured, what better way to celebrate my purchase of a full-frame D-SLR than with a lens that could take full advantage of the larger sensor! So now, fast forward to the purchase of a...

Jack Neubart  |  Nov 01, 2008

The mid-range zoom I started with when I bought my Nikon D300 was no speed demon, and I was hankering for an f/2.8 lens in the (effective) 70-200mm range. What first attracted me to the Tokina AT-X 535 PRO DX was the fast, constant maximum aperture, providing a bright view every step of the way. What’s more, the barrel on this tele-zoom does not rotate when zoomed: all movement is entirely...

Jon Sienkiewicz  |  Apr 06, 2017

Does a 5mm scratch in the center of the front element ruin a lens? We gouged a brand new, straight-from-the-box, $499 Tamron 28-75mm f/2.8 zoom to find out. Then we shot some test subjects. Was the defect visible in the images? See for yourself…

Ron Leach  |  Dec 05, 2016

Inexpensive kit lenses typically only add a hundred bucks or so to the cost of a new camera, and they provide a means of getting you get started before you can afford to upgrade your glass. In the video below, you’ll learn a few tricks for achieving interesting effects with these bargain lenses, and have some fun in the process.

Jon Sienkiewicz  |  May 17, 2024

A 100mm f/2.8 full-frame lens that produces bokeh that looks like soap bubbles? Sign us up! But does the bokeh really look like suds?

Deborah Sandidge  |  Jan 24, 2019

This will probably surprise you, but for someone writing about the advantages of heading out with one camera and one lens, I mostly don't do that. As a professional photographer who emphasizes travel images and loves to apply special techniques, I most often carry a rather full kit of lenses and a back-up DSLR, plus filters and a tripod.

Ron Leach  |  Feb 26, 2025

Last week we featured an interesting tutorial demonstrating why every landscape shooter should experiment with telephoto lenses, and the camera settings and techniques that deliver uncommon images in the field. We're following up on that today with five unconventional methods for capturing unique wide-angle photographs in ways you may not have tried in the past.

Ron Leach  |  Dec 17, 2020

One of the first decisions every photographer makes before purchasing a new camera is whether they want a full frame model or one with an APS-C or micro four thirds sensor. It’s an important consideration because the choice you make determines what the focal length of your lenses really means.

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