Wildlife Photography How To

Last week we featured a tutorial explaining how photographers of all skill levels can shoot impressive wildlife photos with whatever cameras they own. Today we're moving on to the next step in the process with a straightforward lesson on enhancing these great images in Lightroom.

Shutterbug readers love photographing birds. One look at our Photo of the Day gallery confirms it. So we asked Owen Deutsch, a renowned bird photographer, to share his expert advice.

In terms of extreme locations, you can’t pick a place much more remote than the Falkland Islands. Located 300 miles off the tip of Argentina in the South Atlantic Ocean, the Falkland Islands consists of two main isles—East and West Falkland Islands, plus 776 smaller islets, covering 4,700 square miles.

Shutter Priority and Manual are the two exposure modes that stand out for capturing sharp images of fast-moving subjects, whether you're shooting sports, birds in flight, or energetic kids running around the house. This important tutorial from the Hamed Photography YouTube channel demonstrates how each mode works and when one delivers better results than the other.

British filmmaker John Downer has been capturing amazing footage of wildlife for years, but now he and his team at John Downer Productions have upped their game with the use of realistic robotic animals fitted with built-in spy cameras. As you can see from the video below it's all pretty amazing.

One big challenge when photographing birds or other types of wildlife involves dealing with subjects that appear in front of busy backgrounds—a situation that tends to happen more often than not. There are ways to remedy this problem in post-processing, but wouldn't you rather get things right in the camera? This tutorial from Backcountry Gallery explains how it's done.

Do your wildlife, nature, and landscape photos appear blurry or wavy even though you used the "proper" settings and achieved precise focus? The problem may not be a faulty camera or lens, but rather what instructor Matthew Gehly calls an image-killing "invisible threat" that's easy to avoid.