Outdoor Photography How To

Over the past 40 years I’ve written articles on just about every photographic topic. Good fun for sure. In this article I’d like to share with you some of my favorite sunrise and sunset photograph tips that I have learned through my travels around the country and around the world.

Adobe's post-processing tools are in a constant state of evolution, and some features that were a bust in years past have recently become far more useful and effective. Such is the case with Exposure Blending and HDR in Photoshop and Lightroom. This tutorial from Photos on the Bay explains how the process has evolved and why you may want to take another look.

Landscape photographers who've spent enough time shooting in the field, especially after the sun drops below the horizon, know that it's often impossible to capture what they through the viewfinder with a single shot in the camera. This tutorial from the PHLOG Photography YouTube channel explains how to get the job done to perfection with a technique known as exposure blending.

This tutorial begins with an important question for those of you who shoot in the field: "Do you have a problem dealing with situations where it doesn't matter what you do and your photos still have blown-out highlights or darks crushed into black with absolutely no detail? If so, this tutorial from Canadian pro Simon d'Entremont is just what you need.

Exposure systems in digital cameras are highly sophisticated components that can analyze light, contrast, color and all the aspects of a photo instantly. Yet with all the automation and computerization there’s still the need to understand how to get the most from all the available options, to know when to choose a particular mode or metering pattern, when you can rely on automation and when you need to step in to get the best exposure possible. This set of tips deals with the creative use of the various Exposure modes, metering patterns, bracketing features and more.

I recently received a copy of the University of New Hampshire Magazine and was immediately struck by the cover image of a rock climber dangling from a cliff over water. I not only noticed the storytelling aspects of the image but, as a photographer, that this guy hanging from his fingertips was somehow lit from some unseen light source. My first reaction: how did he do that?