Outdoor Photography How To

Mark Alberhasky, for one. Put him in a great situation where he can take very cool photographs and he’ll nail them nine times out of 10. Chances are, though, that won’t be enough. Just because the photos he’s making look good doesn’t mean he won’t be thinking about what he can do to create even better ones. You can attribute that drive to several factors, one of which is his early realization that if he took a straightforward photo of what everyone else was seeing, no matter how good a photo it was, it would be just that: what everyone else was seeing. The goal was to come up with his own ideas and add them to the creative process, and many of Mark’s photos are the result of taking that e

One question I’m frequently asked is, “Are you a natural-light photographer or do you use flash?” All too often that query stems from a popular misconception that using supplemental light is too difficult or confusing for mere mortals. As you’ll see in the basic tutorial below, nothing could be further from the truth.

There are several reasons why your outdoor photographs may be far less compelling than possible. Perhaps your images lack uniqueness and don't stand out from the crowd. Or maybe they're short on impact for reasons that are easy to correct by changing the approach you take in the field.

Mike Olbinski is an Arizona-based portrait/wedding photographer with a unique resume. In addition to his more sublime work, he’s also a serious storm chaser and captured the thrilling time lapse video below.

“Photography is always a bit random in the UK because the weather is so changeable,” Martin Turner says. When he and his friends arrived late in the afternoon at the Weston-super-Mare seaside resort in North Somerset, they were greeted by “absolute, gorgeous sunshine.” Which lasted about 45 minutes. “All of a sudden the sky went black,” Turner says, “and we had to stand underneath the pier whilst it chucked down rain for quite a while.” Then the clouds broke, and at about 8:00 in the evening he was able to capture this sunset image.

Sooner or later every avid street photographer makes a simple but important realization: If you always point your lens straight ahead, you’re missing out on a whole realm of dramatic angles and interesting compositional opportunities.