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Many photographers set their camera for Auto White Balance and never modify the setting regardless of the subject at hand. If that sounds like you it may explain why the colors in your photos don't accurately convey the colors in a scene.

Most of the post-processing tutorials we feature involve editing techniques in Photoshop or Lightroom. Today we're switching things up with a video for Adobe Photoshop Elements users, with a quick and valuable lesson from the HTG George YouTube channel.

Shallow depth of field is a popular technique for all types of images because it accentuates a main subject and separates it from the background. This effect can be achieved in the camera with careful focusing and wide aperture settings, but today you'll see how to get it done in Photoshop with a minimum of work.

If you ask a bunch of accomplished landscape photographers to name their most difficult challenges, they'll likely express two key considerations. One is arriving at a correct exposure in scenes with a wide-range of tones from bright highlights to deep shadows. Another is achieving sharp results when there are a number of objects within the frame.

It's not uncommon to underexpose landscape photos when shooting in complicated lighting situations. This mistake can be particularly acute when the sun appears within the frame.

Nurturing neophyte film photographers and movie makers, supplying photo schools with film cameras, and helping photographers of all levels learn how to use legacy film cameras, Michael Raso and the Film Photography Project volunteers have engaged with tens of thousands of film users around the world via a monthly podcast, by answering emailed questions and by conducting workshops. If you're into film of any size, shape or format, visit the FPP website and tune in to a podcast.

Most photographers prefer to be out in the field with their cameras, rather than sitting behind a computer processing photos. That means finishing up your edits as soon as possible without sacrificing quality.