Jon Sienkiewicz Blog

No longer confined to the seamier side of show biz and politics, Fake News has become a mainstream source of misinformation for virtually all industries and disciplines. What you are about to read is obviously true because it has been published online by a respected source. With that caveat, here’s the latest from the world of photography and beyond. 

Here are the rules: every item described herein is small enough to fit inside a reasonably normal stocking and each is something that every photographer will appreciate. Price was not part of the selection process, nor was foot size.

It’s better to give than to receive—but receivin’ ain’t so bad, either, especially if your gift list includes one or two of my favorites, which I’ve described for you here. Or if you’re looking for the perfect gift for the photo person in your life, here are your crib notes.

If you’ve ever lusted after a really fast lens—even faster than f/1.2—imagine how compelling the thought of an affordable f/0.95 lens might be. Well, buckle your gadget bags folks, because the Zhongyi Mitakon Speedmaster 25mm for Micro Four Thirds cameras is an f/0.95 that pops into the shopping cart for less than $400.  

Photographers are an inventive lot. Most have of us have improvised one thing or another in pursuit of our obsession, be it a soft-focus diffuser made from a discarded nylon stocking, studio lamp handcrafted from a Home Depot shop light, or a gadget bag recycled from an army surplus gas mask pack. But here’s a bonafide useful tool that Greg Montano, owner of Dexter’s Camera in Ventura, California, created more-or-less out of necessity, and has been using professionally since.

Photo backpack fans listen up! Everything good about Peak Design’s photo messenger bags now comes in backpack shape, in two sizes plus an innovative sling. 

The monochrome mode on most digital cameras is a convenience that is best avoided. Conventional wisdom says that it’s far, far better to shoot Raw and convert to monochrome—or at least to start with a color JPEG. But Fujifilm suggests that their ACROS film simulation mode might even top the best Raw converters. Does it?