A couple weeks ago we posted a tutorial explaining how to use Lightroom's AI Denoise to rehabilitate underexposed photos. As it turns out, there are a few issues with this new tool that you really must understand to avoid potential problems with your edits while using this powerful technique.
One of the biggest mistakes photographers make when processing photos is limiting their edits to global adjustments. In other words, all of their enhancements apply to the image as a whole—regardless of brightness and color differences through the scene.
One powerful way to capture outdoor photos that make viewers pay attention with admiration is to thoughtfully compose a scene with proper balance throughout the frame. The quick tutorial below from Mike Smith provides several helpful techniques for doing just that.
So you just spent a day photographing birds or other forms of wildlife and returned home expecting to be impressed by the images you made. But low and behold, the photos you see on the computer aren't nearly as compelling as you thought.
It's often easy to capture a good photograph of a beautiful landscape scene, but what if you your goal is something great? This can usually be accomplished during the editing process, as you'll see in the tutorial below from the popular PHLOG Photography YouTube channel.
All photographers strive to attain fast and precise focus no matter what type of images they make and achieving that goal can be a challenge when shooting handheld under challenging lighting conditions. Today's tutorial from pro Mark Denney reveals his secrets for getting the job done.
Some landscape scenes look far more compelling when rendered in b&w, whether you captured the shot using your camera's monochrome mode or do a conversion later during the editing process. In either case, some thoughtful processing is required for optimum results.
We've all been out and about and stumbled upon a great scene that can't be ignored, even though the only camera we have available is our phone. Most of today's advanced smartphones take pretty impressive photos that can be made even better with a bit of thoughtful editing.
We've all been told to avoid shooting on bright sunny days or when the sun is high in the sky because contrasty light is the enemy of great photos. While there's some truth to this rule, harsh conditions also present opportunities for capturing great images.
This tutorial begins with a surprising self-effacing admission for someone who has been teaching and using Lightroom for years: "I'm so stupid I thought this was a Lightroom bug; but it's actually an obscure tool." We encourage you to watch the four-minute explanation, just in case you've made the same mistake.
The easy-to-use Clarity tool is extremely helpful when editing outdoor images in Lightroom, Lightroom Classic and Adobe Camera Raw. In the tutorial below you'll learn how it works, why you should consider applying positive or negative Clarity, and the circumstances in which this straightforward tool should be used.
Your camera offers variety of shooting modes, each tailored to shooting different types of images, and it's important to make the right choice if you what the best results possible. This tutorial from the folks at Light Benders Visuals is targeted at wildlife and nature photographers and provides solid pro advice for getting the job done.
There are numerous reasons for poorly exposed photos when shooting in the field under difficult lighting conditions, including harsh light, dark foregrounds, and bright washed-out skies to name a few. When you're faced with challenges like these, photos often turn out to be a compete mess.
There are a bunch of misconceptions about ISO settings that can hold you back when shooting in the field. Some photographers always shoot at ISO 100 in attempt to avoid noise, while others choose the highest setting available to eliminate camera and subject movement when photographing motion.
Nighttime photography can be a real challenge for a variety of reasons, not the least of which is arriving at a correct exposure. Other problems include specular highlights, color casts caused by streets lamps of varying temperature, and important subjects lurking in the shadows.