Yesterday we posted a very helpful tutorial describing five common shooting errors made by novice photographers and how to avoid them. Today's lesson from the Sightseeing Stan YouTube channel takes a similar approach with regard to post-processing mistakes that can easily ruin your images.
Yesterday we featured a straightforward guide to using Selective Exposure adjustments to get the light right in complicated images with a wide range of brightness levels throughout the frame. Today's tutorial from another image-editing expert demonstrates how to take a similar approach with Lightroom's powerful Selective Color tools.
Most beginning photographers are enthusiastic about their new creative pursuit, but sheer passion alone is not enough to get the job done. That's because practice, a firm understanding of the fundamentals, and appropriate gear are essential if one is to develop their skills.
If you're not a regular user of Photoshop's versatile Brush tool, this complete beginners guide from The PIXimperfect YouTube channel is guaranteed to change your mind. You'll learn how to master everything from fundamental properties and "essential" tricks, to time-saving shortcuts and much more.
We regularly preach the importance of taking a selective, rather than a global, approach to processing your images. This simply means limiting your adjustments to specific portions of a scene that really need work, instead of making enhancements to the image as a whole.
The quick video below is one of those "I wish I knew this before" tutorials with a super-simple technique for enhancing photos in a way that's almost too good to believe. It works in both Lightroom and Photoshop, takes barely 10 minutes to learn, and you can start using it today.
Every so often we come across a Lightroom tutorial that reveals a quick trick that you absolutely shouldn't miss. In this case it's what one expert calls a "secret Lightroom feature that that can really supercharge your workflow." Best yet, it takes less than two minutes to explain and can dramatically enhance just about any image you capture.
Earlier today we posted a tutorial with a foolproof in-camera method for shooting photos with perfect exposure. But what if you want to improve photos you shot in the past that don't quite hit the mark? The lesson below from the FJR YouTube channel demonstrates how easy this is to do with Lightroom's powerful Dodge and Burn tools.
Object removal is one of the staples of editing images for simplicity and maximum impact. Maybe you want to eliminate the proverbial fence post emanating from a subject's head, or get rid of other equally distracting elements that detract from a shot.
Cropping images to refine composition is a no brainer, right? Well not exactly, because Photoshop's easy-to-use Crop tool provides more creative capabilities than you likely realize. You probably use this tool almost every time you process an image, so it's important to understand everything it can do.
Lightroom's recently updated Tone Curve is a powerful component of what Adobe enables you to achieve when processing photos. Unfortunately, this versatile tool is frequently avoided because some users find it rather intimidating.
Too many photographers make the mistake of restricting their workflow by employing global adjustments to edit their photos. The problem is that these enhancements affect the image as a whole—thereby greatly limiting the results they achieve. That's because certain areas within the frame often require one approach while others call for totally different enhancements to create photos with balanced exposures and realistic colors.
One of the biggest challenges when shooting indoors is dealing with unusual light that imparts ugly color casts to the images you shoot. This can even happen when photographing outdoors in ambient light when nearby or overhead objects may bias tones and make them appear unrealistic.
Do your autumn photographs fall short of the awesomeness that you saw through the viewfinder? If so, the quick Lightroom tutorial is just what you need to transform good mages into great ones.
As Hamlet one said: "To edit in color or to edit in b&w, that is the question." Well, not really, but it's a question you should ask yourself regardless of the type of images you shoot.