Software How To

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Howard Millard  |  Mar 01, 2011  |  0 comments

Whether you’re starting with a portrait, a landscape, a wedding photo, or a still life, it’s easy to use the hundreds of effects in onOne Software’s new PhotoFrame 4.5 (PF 4.5) to enliven your images and give them a distinctive look and unique appeal.

John Brandon  |  Dec 01, 2010  |  0 comments

A smooth workflow makes the job of photography feel more like a passion. You release the shutter button and next thing you know you’re holding a framed comp for a client.

Jon Canfield  |  Nov 01, 2010  |  0 comments

The latest version of Lightroom is coming into full use as more and more plug-ins and export options come into play. This month Jon Canfield takes a look at the essential ingredients; next month we have another opinion about the latest version of Lightroom that takes a different point of view.

Anthony L. Celeste  |  Oct 01, 2010  |  1 comments

Mystical Focus builds on the success of the Auto FX “Mystical” series of plug-ins, which includes Mystical Lighting and Mystical Tint, Tone, and Color.

George Schaub  |  Oct 01, 2010  |  0 comments

The idea of loading an image and pushing a button and seeing what happens may be anathema to some photographers, but for certain images where you might want an extra-special touch done easy it might just do the trick.

Howard Millard  |  Oct 01, 2010  |  0 comments

Whether you work in Photoshop, Elements, Lightroom, or Aperture, V2 enables you to quickly select the areas you want to change by pointing, clicking, and dragging without the need to create time-consuming selections and masks.

Howard Millard  |  Oct 01, 2010  |  0 comments

The onOne FocalPoint 2 plug-in software offers you a powerful option to speed and simplify the process of controlling focus “post exposure.”...

John Brandon  |  Sep 01, 2010  |  0 comments

Aperture 3 is an amazingly powerful workflow aid for any photographer. An improved interface that promotes a “work the way you want” aesthetic makes it easy to learn and use.

John Brandon  |  Sep 01, 2010  |  0 comments

If a computer is part of your photographic workflow, then you’re probably already using Adobe’s Photoshop. The program has become standard for serious pros, erstwhile amateurs, and even those who just want to add some flair to their Facebook profile.

John Brandon  |  Mar 01, 2010  |  1 comments

For the pro photographer, there are two possible scenarios in managing a photographic workflow. One is the scattershot method, the second approach features a clear organizational method.

Howard Millard  |  Mar 01, 2010  |  0 comments

Whether you shoot people, products, or landscapes and nature, Mystical Tint Tone and Color 2.0 offers a cornucopia of 60 filters to add subtle to striking effects to enliven and enrich your photos.

Howard Millard  |  Mar 01, 2010  |  0 comments

For portrait, wedding, landscape, and fine art photographers, Corel’s new Painter 11 excels when you want to emulate traditional art media from your images, including oil paint on canvas, pastels on textured art paper, woodcut, silkscreen, watercolor, and more.

Steve Bedell  |  Mar 01, 2010  |  2 comments

Since I first wrote about Portrait Professional 8 in September of 2008, Anthropics Technology has been steadily working on the software to add more features and functionality.

David B. Brooks  |  Mar 01, 2010  |  0 comments

Adobe’s Photoshop Elements favors the majority of the photo community, those who often get involved with the craft as they begin the family portion of their lives.

John Brandon  |  Jan 01, 2010  |  0 comments

With each new Microsoft Operating System (OS) release, a new question arises for photographers: should you upgrade? Or, should you wait?

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