Software How To

Most photographers prefer to be out in the field with their cameras, rather than sitting behind a computer processing photos. That means finishing up your edits as soon as possible without sacrificing quality.

Printing and framing photos is a great way to decorate your home or office and gain a bit of recognition for your hard-earned efforts. It's also easier to evaluate your work with a large hi-res print in hand, rather than reviewing images on the computer.

Photographers often turn to Lightroom's HSL sliders as the first step in editing landscape and nature photos. But what do you do when this technique falls short? As you'll see in the tutorial below, there's often a better solution that's very easy to accomplish.

One factor that differentiates great photos from those that miss the mark is achieving accurate colors that faithfully represent a scene. Last week we featured a primer with the best White Balance camera settings to use for various situations, and today you'll learn how to get the job done when fixing problem photos in Lightroom.

Experienced landscape photographers often make an artistic decision before setting up a shot, and it's one less-experienced shooter often ignore; namely, whether to capture the image in color or black a white. The decision you make can have a huge impact on the photos that follow.

If you ask a bunch of photographers what they found most exciting about the recent Photoshop update, you're likely to receive this two-word answer: Generative Fill. Nonetheless, professional photographer Nick Page begs to differ, claiming the Remove tool is a real game changer and the best new capability.

It's really important to maintain consistent colors when processing your images, especially if you've developed a unique, recognizable style. This is also an essential goal when editing a series of photos from the same shoot.