Nature Photography How To

After all the excitement of spring and summer macro photography, when insects begin to disappear and plants start to wither, it's not uncommon for photographers to stash their close-up lens in the back of their cabinet. That's a real shame because winter provides a bunch of great opportunities if you take a different approach.

Have you ever noticed unsightly color fringes along the edges of objects in your photo's? If so, join the club. Also known as Chromatic Aberration, these artifacts are a sure way to spoil an otherwise nice shot.

This tutorial is a perfect follow-up to a lesson we posted this morning, explaining how to capture stunning photos of the nighttime sky. Whether you're photographing nightscapes or other low-light scenes, high ISO settings and the possibility of noisy images is something you have to confront.

There are a variety of reasons that unnatural color casts may appear in in your outdoor photographs, and when they do they can really spoil a shot. Fortunately, whether you're dealing with unwanted blue, green or magenta tones, there's a straightforward way to eliminate them in in Lightroom.

Most photographers strive to "get it right" in the camera so they don't have to resort to serious post processing to fix the image. Unfortunately that's often difficult—if not impossible—when shooting outdoor scenes with a wide range of tones that exceed the density range of their cameras.

Bright blue featureless may be great for a trip to the beach, going on vacation, taking a bike ride, or hiking in the great outdoors. But when it comes to nature and landscape photography, well, not so much.

Here's something that occurs all too often when composing images in the field: We tend to ignore what's right in front of our face, and instead we concentrate on accentuating the midrange and background of a shot.