All photographers strive to attain fast and precise focus no matter what type of images they make and achieving that goal can be a challenge when shooting handheld under challenging lighting conditions. Today's tutorial from pro Mark Denney reveals his secrets for getting the job done.
Some landscape scenes look far more compelling when rendered in b&w, whether you captured the shot using your camera's monochrome mode or do a conversion later during the editing process. In either case, some thoughtful processing is required for optimum results.
We've all been told to avoid shooting on bright sunny days or when the sun is high in the sky because contrasty light is the enemy of great photos. While there's some truth to this rule, harsh conditions also present opportunities for capturing great images.
The easy-to-use Clarity tool is extremely helpful when editing outdoor images in Lightroom, Lightroom Classic and Adobe Camera Raw. In the tutorial below you'll learn how it works, why you should consider applying positive or negative Clarity, and the circumstances in which this straightforward tool should be used.
Every year we publish the link to this useful map to help photographers and nature lovers connect with fall foliage at its peak. Folks planning travel to or living in the…
Your camera offers variety of shooting modes, each tailored to shooting different types of images, and it's important to make the right choice if you what the best results possible. This tutorial from the folks at Light Benders Visuals is targeted at wildlife and nature photographers and provides solid pro advice for getting the job done.
There are numerous reasons for poorly exposed photos when shooting in the field under difficult lighting conditions, including harsh light, dark foregrounds, and bright washed-out skies to name a few. When you're faced with challenges like these, photos often turn out to be a compete mess.
There are a bunch of misconceptions about ISO settings that can hold you back when shooting in the field. Some photographers always shoot at ISO 100 in attempt to avoid noise, while others choose the highest setting available to eliminate camera and subject movement when photographing motion.
The trend these days is definitely in the direction of full-frame cameras, and many photographers have one at the top of their wish list if they haven't already made the switch. But if you're still capturing great images with a capable crop-sensor model you may want to hang on to it—at least until you watch the controversial video below.
Adobe included plenty of great improvements in the last Lightroom update that make image editing faster and more effective than ever. One of the new features we haven't covered in detail is how to use the new AI Denoise tool, and that's what you'll learn about in the quick tutorial below from the popular PHLOG Photography YouTube channel.
The first thing most landscape photographers do upon arriving at a location is pull a trusty wide-angle lens out of their bag. It's true that telephoto lenses are growing in popularity for this purpose, but today's tutorial is all about making the most of whatever wide-angle prime or zoom that you own.
A week ago we featured a tutorial explaining why minimalism is the key to clutter-free outdoor photos, and that lesson touched on the concept of negative space as one way to get the job done. Today we're taking a deeper dive into that specific technique as a means of capturing unique images that really grab attention.
We repeatedly discuss the concept of sharpness because it's such a critical component of all really good images. But there's an oft-ignored concept that you may not have heard until now; revealing why some sharp images appear soft to you and the viewer .
So you photographed a gorgeous landscape scene with a great sky and beautiful colors throughout the frame, only to return home, view your "money shot" on the computer, and discover that the tones in the photo only vaguely resemble what you saw through the viewfinder.
Some of us miss out on great opportunities to capture images with maximum impact because we always shoot in color. One reason for this is that some scenes cry out loudly for a monochrome approach.