Top Clicks

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The Editors  |  Jan 05, 2018  |  7 comments

Another year has come and gone, which means it’s time for Shutterbug to once again pick our favorite cameras and lenses of the past 12 months. With so much great photo gear to choose from in 2017, it was a difficult task. The below list though is a good summation of the cameras and lenses Shutterbug’s editors and writers most enjoyed shooting with last year.

The Editors  |  Jan 31, 2019  |  0 comments

Yes, we’re posting our annual favorite cameras and lenses awards of 2018 with only a day left in January 2019, but that just means determining the best photo gear for last year was harder than usual. And it was, especially with the raft of exciting new full frame mirrorless cameras that hit the market in the second half of last year.

Jon Sienkiewicz  |  Jun 14, 2018  |  0 comments

The specifications are impressive, but can a super-wideangle zoom with a super-fast f/2.8 aperture deliver the results pros and ardent amateurs demand?

Joe Farace  |  Mar 21, 2017  |  0 comments

In the trifecta of portrait lenses—85mm, 105mm, and 135mm—the 85mm focal length is the gateway. It’s short enough for tight shooting spaces, while producing a real portrait look, yet versatile enough for use in other genres, including photojournalism, where a nifty 50 comes up a bit short. Enter Sigma’s 85mm f/1.4 DG HSM Art lens ($1,199) that’s fast enough for reportage and long enough for portraiture.

Dan Havlik  |  Mar 27, 2018  |  0 comments

So much for “basic,” Sony seems to be saying, the A7 III is a premium model worthy of its pricier full-frame stablemates: the high-resolution A7R III and the speedy A9 mirrorless cameras.

Dan Havlik  |  Dec 27, 2017  |  0 comments

There are a variety of new things under the Sony A7R III’s hood, including the ability to shoot 10 frames per second (fps) continuous bursts of images at full resolution, 4K video recording across the width of its full-frame sensor, longer battery life, and a host of other features.

Ron Leach  |  Jul 12, 2017  |  0 comments

(Editor’s Note: With this Field Review, the Sony A9 has received Shutterbug’s Top Clicks award for exhibiting exceptional quality. Read about our Top Clicks award at this URL: http://bit.ly/2tnl0ny.)

George Schaub  |  Jun 26, 2018  |  0 comments

While the main body of my work has been with lenses such as the 24mm fixed, wide angles, and mainly my trusty 16-35mm zoom, I have often found myself wanting a long zoom for the scenes that present themselves along the way. It’s not that I am unwilling or just plain lazy to get closer—a long zoom, like the recently released Tamron 100-400mm, simply changes the way I see and helps me explore other visual options.

Joe Farace  |  Dec 11, 2018  |  0 comments

Tamron’s new SP 15-30mm f/2.8 Di VC USD G2 lens ($1299) continues a trend that many camera and lens manufacturers have embraced in recent years. This new Tamron 15-30mm lens is fast, big, expensive and designed for photographers who expect optical excellence. As part of Tamron’s Di lens series, the SP 15-30mm f/2.8 Di VC USD G2 is available for Canon and Nikon full-frame DSLRs and APS-C cameras where it produces a 24-48mm equivalent focal length range.

Ron Leach  |  Nov 30, 2016  |  5 comments

I tend to travel on the wide side when it comes to lens selection, so it was exciting to get ahold of Tamron’s new super telephoto zoom—the SP 150-600mm f/5-6.3 Di VC USD G2 (Model A022). And what better way to give this big beauty a try than to take it on safari?

Ron Leach  |  Mar 17, 2017  |  0 comments

I tend to travel on the wide side when it comes to lens selection, so it was exciting to get a hold of Tamron’s new super telephoto zoom—the SP 150-600mm f/5-6.3 Di VC USD G2 (Model A022). And what better way to give this big beauty a try than to take it on safari? Admittedly, this “safari” was of the local variety with a quick trip to the recently renovated Audubon Zoo barely two miles from my home in New Orleans. I also spent an afternoon with the Tamron 150-600mm G2 ($1,399) on one of the many bayous running through Southern Louisiana to shoot some gators and less exotic wildlife.

Jason Schneider  |  Jul 18, 2018  |  2 comments

A score of digital and analog cameras that set standards for their era and pointed to the future.

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