Nikon 1 V2 Camera
The Nikon 1 V2 camera is powerful and highly versatile. Features include a 14.2-megapixel CX-format CMOS sensor, an EXPEED 3A image-processing engine, a traditional grip with a new Command dial, a 73-point AF array, and a high-resolution 3” LCD display. The 1 V2 has full Auto/Manual controls and the modes include Enhanced Motion Snapshot, Best Moment Capture, and Advanced Movie. It is compatible with all 1 Nikkor lenses and the WU-1b Wireless Mobile Adapter. The suggested retail price is $899.95 with a 10-30mm kit lens.
Nikon 1 J1 Camera
The new Nikon 1 J1 is a compact system camera that features a 10.1-megapixel CX-format high-speed AF CMOS sensor. It has a dual core image processor and an advanced hybrid autofocus system that provides the user with fast AF with 73 focus points. The J1 can also capture 10 frames per second (fps) with a full resolution continuous shooting speed of 60 fps (AF locked). The camera comes with Short Movie Creator software and My Picturetown and features a Smart Photo Selector mode that allows the camera to select the best photo from a series of images based on a number of factors, including exposure, composition, focus, and facial recognition. The color choices with matching kit lenses include white, pink, red, silver, and black. The suggested retail price for the J1 10-30mm lens kit is $649.95.
Landscape photography is one of the most popular genres among Shutterbug readers, and the tutorials we post typically involve shooting and editing techniques for achieving great results. But today we’re taking s step back, with an important preliminary task you should perform before pulling a camera out of your bag.
There's a lot of hype about the "superiority" of full-frame cameras these days, and it's important to separate the marketing chatter from the difference in sensor size as pertains to your particular style of photography. If you're thinking about "stepping up" we encourage you to watch this video before making the switch.
The current trend in cameras is clearly moving in the direction of full-frame mirrorless models with super-high resolution, and the megapixel race shows no signs of abating. But is this based upon sound photographic principles, or does creative marketing and the “Gear Acquisition Syndrome” factor into the equation?
We’ve all heard the banter: “If you’re serious about photography you need full frame.” Or how about “You’re not a proper landscape photographer if you don’t shoot full frame.” All this boils down to the notion that big is always best, all the while bad-mouthing APS-C and MFT cameras.
We have been, by and large, big fans of Canon's latest mirrorless cameras, including the recent full frame Canon EOS R and EOS RP. One area, however, has bugged us to no end. For left eye dominant shooters, using these cameras can be a bit of a nightmare.
Lots and lots of people are talking about Canon R5 heat cut-offs. The discussions range from technical discussions about heat generation, cooling methods, and firmware protocols to strident conspiracy theories.
Smart photographers do a lot of research and scrutinize a variety of specs before investing in a new camera. And that's a good thing because we all want to make an informed purchasing decision so the camera we buy best suits our specific needs.
It's so exciting to get a new camera that many photographers can't resist pulling it out of the box, setting the manual aside, leaving the default settings as they are, and heading out for a day of shooting. If that sounds familiar pay close attention to the video below, in which an accomplished explains what to do first so the new camera performs as intended.
Some photographers prefer using a camera's Live View mode to frame images on the rear LCD, instead of doing so through the viewfinder. It's fine if that's your reference, unless you experience the problem described in the video below. We'll give you a hint: It has to do with your vision.
There are numerous reasons for buying a new camera. Maybe yours is an old clunker and a replacement is long overdue. Or perhaps you’re chasing more megapixels or want better video capabilities.
It‘s no secret that there’s been a dramatic shift from DSLR to mirrorless camera systems on the part of consumers and manufactures alike. But some photographers are hanging on to their trusty DSLRs for making certain types of images.