Alien Skin’s Snap Art 3 ($199, or $99 for an upgrade from previous versions) is the latest manifestation of image-altering software that works atop the architecture of Photoshop and Lightroom, that is, a plug-in accessible through the Filters menu in Photoshop and for Lightroom as an external editor.
To launch Snap Art from an image in Lightroom you first select the image (or multiple images for batch processing), and select Photo>Edit In>Snap Art 3. You can also right click on the image and select Edit In>Snap Art 3. When Lightroom asks you how to edit the photo, the company recommends you choose “Edit a Copy with Lightroom Adjustments.” This will tell Lightroom to make a copy of the image for Snap Art. You can also check and uncheck the Stack command, depending on how you want to see the image in the Library—choose Stack and you can easily unstack the image later, or just have it sit side by side in the normal Library (unstacked) view.
There’s a considerable difference between resizing, which means maintaining the same pixel dimensions and adapting to different document sizes at the same print resolution, and resampling, which means building additional pixels from the original file to enable printing larger documents at the same resolution. Say you have a 24MB file, obtained from an 8 megapixel digicam, that will normally fill an 8.5x11” print at 300 dpi when printing. But you just got a 13x19” printer and want to try your luck at that size, still at 300dpi. Well, for that you would need a 62MB file.
At first glance you might think that Alien Skin’s Exposure 3 ($249 at www.alienskin.com/store or $99 upgrade from Exposure 1 or 2; a free trial is available on their website as well) is a push-button solution to image manipulation.
Are you someone who appreciates the richtones, colors and textures of 19th and 20th century alternative photo processes? With onOne Software’s Perfect B&W (www.ononesoftware.com), you can imbue your own images with these classic looks, and you won’t have to spend days in the darkroom to do it. Options include Platinum and Palladium, the warm beige tones and mottled surface of Calotype, the blue hues of Cyanotype, the buff tones of an Albumen print, the velvety reds of a warm Carbon print, even the look of a Tintype and many more.
If you love photographing birds and other forms of wildlife, but your images tend to look the same, the tutorial below is just what you need. Best yet, the shooting and editing techniques are far easier than you may think.
There’s an amazing new image-editing feature that many photographers have been awaiting for years; namely the ability to integrate Lightroom and Photoshop. The quick tutorial below from the Photoshop Café YouTube channel explains how it works.
Long exposure motion-blur effects can really enhance landscape images, creating soft, flowing water and fluffy cotton-like clouds. Some photographers use expensive neutral density filter to achieve the necessary slow shutter speeds, but there’s a simple way to mimic this effect during the editing process.
Photoshop offers a variety of tools for fixing photos with a skewed perspective. Some of these methods are more complicated than others, and today's tutorial demonstrates an easy and very effective approach.
Have you every shot a portrait that looked really great, except for a bunch of flyaway hair? Removing these distractions can be a difficult task—unless you know the quick Photoshop trick in the video below.
Photoshop offers an almost endless array of creative tools for enhancing our images, and depending upon your skills you can make things as complicated or as simple as necessary. The technique explained in the video below falls into the latter category, and delivers amazing results.
Since I first wrote about Portrait Professional 8 in September of 2008, Anthropics Technology has been steadily working on the software to add more features and functionality.
Aperture 3 is an amazingly powerful workflow aid for any photographer. An improved interface that promotes a “work the way you want” aesthetic makes it easy to learn and use.
The job of auto-retouching software is to retouch faces quickly, easily, and with as little human intervention as possible. Most require you to either set or confirm where the major points of the face are, like the eyes, ears, and lips. After you’ve identified those areas, the software then goes about its business of transforming little Pamela into little Princess.
PhotoStudio 6 is a feature-rich application in its own right; for instance, you can create layers for image editing, paint on the image with a variety of brushes, and apply artistic effects.