Software How To

This Lightroom tutorial deals with a situation we’ve all encountered: “You make a photo, you think ‘yes, this it,’ I GOT that shot.” But when you get home and look at the image on you’re computer, you say to yourself, “Yo, this photo is kind of boring.”

If you are like most photographers you’d prefer to spend less time behind the computer and more time out shooting. In the quick video below you’ll learn a streamlined Lightroom workflow that will drastically reduce your processing time.

One of the challenges when combining elements from two or more photographs is matching the color and tones of the different images to arrive at a realistic result. In the video below you’ll see how to get the job done with a few easy steps in Photoshop.

The bane of outdoor photographers is that it’s not always possible to be in the right place at the right time. So what do you do when you come across a nice scene during harsh, midday sun? One option, of course, is to return later. But if that’s not possible, the following tutorial will help you edit those lifeless photos and really make them sing.

Here’s a quick Photoshop tip from Aaron Nace of Phlearn. Have you ever shot an image and, for whatever reason, you just aren’t satisfied with the color? Maybe it looks too washed out or, by contast, too saturated? Or maybe the color looks just plain off.

Nighttime cityscapes always look spectacular, with their shimmering lights, colorful neon signs, and towering buildings. Unfortunately, it’s not uncommon to return home and discover that our images don’t appear as spectacular on the computer as they did on location. 

If you know the basics of Photoshop, then you’re probably familiar with a rather remarkable feature called Content-Aware Fill. In short, this Adobe software tool lets you remove distracting objects from your photos – such as wires or telephone polls – and replace (fill) them with a seemingly natural background that blends in with the scene.