Nature Photography How To

The first thing most photographers learn is that a camera’s light meter is calibrated to deliver correct exposures of “average” subjects with a tone of middle gray. But what about bright scenes like a snowfield, or close-ups of dark subjects like a black cat? That’s where exposure (EV) compensation comes into play.

Let’s say everything comes together just right: You have a great subject, the light is beautiful, and your composition and focus are impeccable. You just captured the money shot, right? Not so fast, because everything is for naught if you mess up the exposure.

Chris Burkard is an adventure photographer who travels the world looking for epic images of our untamed planet. He recently garnered a lot of attention for the once-in-a-lifetime shot above of a surfer in Iceland lit by the Northern Lights, and the video below gives you the backstory.

We’ve had numerous discussions about making b&w conversions from color photographs. But what about converting b&w images to color? There are ways to get the job done using Photoshop or a free third-party artificial-intelligence (AI) platform that one image-editing expert says provides “jaw-dropping results.”

Many photographers are under the impression than a wide-angle lens is the best choice for landscape photography because of the expansive vistas involved. But according to acclaimed pro Mads Peter Iversen, going long often results in better images.

The point-and-shoot camera is dead? They’ve been saying that for years, especially as the popularity of smartphone photography grows and grows.

Many photographers believe that high ISO camera settings are the root cause of photos with unsightly noise, so don't feel too bad if you suffer from this familiar misconception. Instructor Mark Dumbleton explains why "that's not entirely true" and addresses what he insists are the real culprits.