Photo How To

One of the challenges to home or professional photographersthese days is trying to keep every portrait set from looking the same. In a world where “freshness” counts a lot, being able to mix things up from one session to another, from season to season, all without jumping through too many hoops to change the set, is an advantage for many. A current trend is the ability to not only change backdrops but flooring as well, and with that in mind we recently had the opportunity to work with products from a division of the pro lab White House Custom Colour called “Backdrops by WHCC.” They have a wide range of interesting offerings in both fabric backdrops and rugged “rubberized” studio flooring.

Russian model Viki Odintcova has created quite a firestorm for a recent Dubai photo shoot in which she is seen hanging off the roof of the 73-story Cayan Tower skyscraper with no means of protection.

The holiday season is in full swing, and with it come numerous once-a-year opportunities for dazzling photos. And regardless of where you live, now is the perfect time to take a drive and photograph the festive lights and decorations that brighten up your neighborhood.

A camera enforces a “framing” of the world before you. While you can choose various aspect ratios (from standard to panoramic, from 3:4 to 6:19) the fact remains that you always have to choose what to include and what to leave out of the photo. It’s like constructing a box and deciding what to put inside it. Making those decisions often involves utilizing certain compositional guidelines and tools that artists have used in the past, although like any rules they “are made to be broken.” When deciding which guidelines to apply always remember that content rules, and that context helps tell the tale.

The concept of depth of field describes one of the most important determinants of how your outdoor photographs will appear. If you've ever captured the identical scene with two different f/stop settings, you at least have an inkling of how this works.

Photography has taught me to be aware of color, design and patterns, and I am always looking for something interesting to photograph. A few years ago when my wife was making a marble cake, I was drawn to the design in the swirling chocolate and thought it would make a successful abstract shot. I liked the images I took, but I felt more color would make the pictures a lot more interesting.