Photographing people for a living can prove intimidating for many photographers. Now add “celebrity” to that and you may find you have to step up your game several notches to stand on equal footing with your subject. You can’t afford to be intimidated and you certainly can’t afford to appear unsure of yourself or to question your decisions. You have to enter the picture with a game plan and be decisive, know which lens you’ll be using, what lights, and where to place those lights. But you also have to be prepared for the unexpected. That’s why they give these jobs to photographers such as Victoria Will.
Whether you call Flying Saucers by their traditional name or use the Pentagon’s new nomenclature (Unidentified Aerial Phenomena), capturing a UFO/UAP video or digital image is easier than it sounds. So grab your camera and tinfoil hat and join the fun.
Canon just announced the much-hyped new Canon EOS R5 and Canon EOS R6 mirrorless cameras along with a raft of new photo products including several professional lenses and a printer. We talked to seven photographers who have actually tested this exciting new Canon camera gear to get their impressions of what these products are like to shoot and print with.
We all fall into a creative rut on occasion, and that’s often because we take the same approach to whatever we shoot. For portraits we typically reach for a short telephoto, and a wide-angle lens is usually our choice for landscape photography.
ShootQ, a web-based studio management solution for event photographers, announced the general availability of ShootQ v2. The newest version of the ShootQ solution offers several new features including a new user interface, powerful business reporting tools and improved integration capabilities.
The big “controversy” of yesteryear was whether film or digital cameras made the most sense for serious photographers. These days there’s a similar debate about the relative merits of PC computers and Macs for editing photos and videos.
Unless you're shooting with a full-frame camera, crop factor is an important issue in a variety of ways. And to complicate matters, there are a variety of crop factors to consider, whether you're using an APS-C model, a high-end compact, a superzoom camera, or a pocket camera of various types.
The Fujifilm X-T30 and Sony A6400 mirrorless cameras have generated a lot of interest from Shutterbug readers. In fact, our reviews of the Fuji X-T30 and of the Sony A6400 are some of our most popular stories in the past few months.
As Hamlet one said: "To edit in color or to edit in b&w, that is the question." Well, not really, but it's a question you should ask yourself regardless of the type of images you shoot.
Back when we all used film, the proper way to meter a scene had a lot to do with whether we were shooting slides or prints. The general rule of thumb was to expose for highlights with transparency film, and expose for shadows with negative film. But what’s the best approach when using digital cameras?
Here's a provocative and enlightening video from photographer Mark Denney. In the below clip, Denney discusses whether photographers should remove elements from a landscape photo during the editing process.
Should you shoot Raw images or JPEGs with your camera? This is an incredibly common question from new photographers, and you’re bound to get different answers depending on who you speak with.
It’s one of the eternal debates in photography: which is better, shooting with a flash or with just natural light? Two professional photographers who we have featured on Shutterbug many times recently tried to find in a “Natural Light vs Off Camera Flash Challenge.” The results might surprise you.
The first thing many photographers do after investing in a new lens is to screw on a UV or haze filter. The idea is that these filters protect the front element of your lens from dirt and impact damage while improving contrast and eliminating atmospheric haze.