LATEST ADDITIONS

George Schaub  |  Jun 01, 2007  |  0 comments

There's a split decision about how to handle digital images out of the camera these days. One camp says the only way to shoot is raw format, and that you have to process the image yourself after exposure for ultimate quality. The other says that you can set up all the parameters you need in the camera and even if you shoot raw you don't need to do extensive image...

Joe Farace  |  Jun 01, 2007  |  0 comments

"...for advice is a dangerous gift, even from the wise to the wise, and all courses may run ill." --J. R. R. Tolkien

People often ask me, "What digital camera should I buy?" They then typically ignore my advice after I answer them. A person, let's call him Steve, asks me which of two cameras to purchase. Based on his needs, I suggest...

David B. Brooks  |  Jun 01, 2007  |  0 comments

Digital Help is designed to aid you in getting the most from your digital photography, printing, scanning, and image creation. Each month, David Brooks provides solutions to problems you might encounter with matters such as color calibration and management, digital printer and scanner settings, and working with digital photographic images with many different kinds of cameras and...

2LT Michael S. Palmer– 141st Logistic Task Force  |  Jun 01, 2007  |  0 comments

We recently worked with 2LT Palmer of the 141st Logistic Task Force on a photo contest open to personnel at Camp Phoenix and serving in Afghanistan. The winners of that contest are shown on these pages. Along with the winning images 2LT Palmer sent us this text, which we think pretty much summarizes the idea and images. We wish all our brave men and women the best and a safe...

Roger W. Hicks  |  Jun 01, 2007  |  0 comments

It's made to use with your classic Leica; it's a long-established accessory, first introduced in 1931; it's in gorgeous black wrinkle paint, exquisitely engraved with the E. LEITZ WETZLAR logo; there's a beautiful red safelight glass built into the back; it's in mint condition; it's boxed, with instructions; when it was new, probably 50 years...

George Schaub  |  Jun 01, 2007  |  0 comments

Priced at about $499, the Canon PIXMA Pro9000 is a 13x19" printer that produces beautiful color prints on a wide variety of media. And it's one of the fastest color printers I've worked with, especially for working with fine art papers via its front-feed system. It can also work with thinner papers via its top-feed system, but those who will spend that amount on...

Maria Piscopo  |  Jun 01, 2007  |  0 comments

Twenty years ago, business software for photographers was limited. The move from paper to software was a big and risky leap of faith. We talked with a number of photographers to get their take on how, and if, software holds the key.

Geoff Manasse (www.manasse.com): I'm the sort of software user...

Joe Farace  |  Jun 01, 2007  |  0 comments

"Don't let's spoil everything, we've only just met."--David Hemmings in Michelangelo Antonioni's film Blow-Up

Since back in the days when a 3-megapixel camera was as good as it got, making big ones out of little ones has been a goal of digital photographers. Along the way this desire to create big prints from small files led to the...

Steve Gottlieb  |  Jun 01, 2007  |  0 comments

In the last several years, the digital revolution has completely changed how photo books and albums are created...and change has been for the better in every respect. It's out with the old--covers without images, prints painstakingly glued in or slipped into boring 4x6" sleeves, improvised captioning (often by hand), heavy pages (often with unappealing acetate...

Barry Tanenbaum  |  Jun 01, 2007  |  0 comments

Depending on which metaphor you like best, it's either the 800-pound gorilla in the pixel palace or the fly in the digital ointment. It's also, according to professional photographer Mark Gamba, "the thing no one is talking about."

So let's talk about it.

It's the protection and storage issue.

Now...

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