Sports Photography How To

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Staff  |  Nov 03, 2015  |  0 comments

Megan Rapinoe captured the World Cup this year with the United States Women’s National Soccer Team and photographer Simon Bruty captured her in this heroic black-and-white image. The photo is actually from 2011 and was shot for Sports Illustrated as a preview of the women’s team for that year’s World Cup in Germany.

Jon Sienkiewicz  |  Oct 29, 2015  |  0 comments

Adobe has released version 14 of Photoshop Elements and Premier Elements. Both are exciting and easy-to-use, and offer enough editing horsepower for most photo and video enthusiasts. Although Premier 14 is chock full of improvements, including some cool new things you can do with 4K video, I found the enhancements in Photoshop Elements to be more groundbreaking and fun. So that’s what we’ll focus on today. 

Barry Tanenbaum  |  Oct 13, 2015  |  0 comments

The race was more joy than suspense. American Pharoah had already taken the Kentucky Derby and the Preakness Stakes, and he led the 2015 Belmont Stakes from the start and was never challenged. Early on, racing fans at Belmont Park were pretty sure they were going to see the first Triple Crown winner in 37 years.

Dan Havlik  |  Sep 17, 2015  |  0 comments

There are few things that can get a man’s heart pumping like a new camera and a legendary car race to test it out at. Or at least that’s how I felt when I got a chance to take the Panasonic Lumix DMC-G7 for a spin at the Indianapolis 500 in May.

Barry Tanenbaum  |  Sep 09, 2014  |  0 comments

Mark Alberhasky, for one. Put him in a great situation where he can take very cool photographs and he’ll nail them nine times out of 10. Chances are, though, that won’t be enough. Just because the photos he’s making look good doesn’t mean he won’t be thinking about what he can do to create even better ones. You can attribute that drive to several factors, one of which is his early realization that if he took a straightforward photo of what everyone else was seeing, no matter how good a photo it was, it would be just that: what everyone else was seeing. The goal was to come up with his own ideas and add them to the creative process, and many of Mark’s photos are the result of taking that e

Barry Tanenbaum  |  Apr 29, 2014  |  First Published: Mar 01, 2014  |  0 comments

“I got to Los Angeles four days before the ’84 Olympic games began, and at the gymnastics pavilion saw Glenn Sundby, the founder and publisher of International Gymnast magazine. I knew Glenn, and he’d been hired as venue chief for photographers. Not knowing he’d get that job, two years earlier he’d bought an arena ticket and had a front row center seat for the events. He gave me that ticket in return for use in his magazine of any photographs USA Gymnastics didn’t choose.

Jack Neubart  |  Sep 20, 2013  |  First Published: Aug 01, 2013  |  1 comments

“I have a mantra that I live by,” states San Diego-based Tim Tadder. “I believe that I work with the best clients in the world, and that they demand the best out of me. If the job calls for equipment I don’t have, I’ll make sure that I have it available so that I’m delivering the best product I can.”

Jay McCabe  |  Mar 15, 2013  |  First Published: Feb 01, 2013  |  1 comments

Bill Pekala, head of Nikon Professional Services, came to the US Open at the Billie Jean King National Tennis Center in Flushing, New York, last August to run the NPS operation at the matches. Sports events can be the ultimate proving ground for camera gear, and one of NPS’s primary roles is providing their member professional photographers with the assurance of dedicated on-site support.

Jack Neubart  |  Nov 26, 2012  |  First Published: Oct 01, 2012  |  2 comments

“I started in my father’s darkroom, retouching negatives at 5 years old,” recalls New York City-based photographer Paul Aresu. “My father was a wedding photographer, with 10 studios and maybe 50 photographers working under him.” In his late teens, Aresu was already shooting weddings for his dad. “It grew from there.” He achieved a BFA from New York’s School of Visual Arts and went on to assist Pete Turner and Tom Arma for several years. “I learned a lot about the business from them.”

Barry Tanenbaum  |  Nov 21, 2012  |  First Published: Oct 01, 2012  |  1 comments

Who: Robert Beck, staff photographer for Sports Illustrated.
What: Infrared (IR) photography.
When: “The editors give me some leeway,” Robert says, “but I’m not going to be using it for a decisive putt.”
Where: Golf courses all over the world.
Why: Although the job calls for capture of the peak moment, the turning point, the key play, the tense concentration, the moment when the athlete’s body language gives it all away, there’s always the professional and personal challenge to do something different.
How: With a Nikon D700 modified for infrared photography.

Mike Stensvold  |  Sep 01, 2005  |  0 comments

Photographing action is quite challenging, but can also be very rewarding. The keys to success are knowing your camera, knowing your subject...and LOTS of practice. You have to be able to set focus and exposure quickly (or monitor them quickly, if using an automatic camera). In short, you can't be fumbling around trying to figure out how to apply exposure compensation or...

Lynne Eodice  |  May 01, 2005  |  1 comments

All photos © Sarah Silver

 

With a client list that includes Abercrombie & Fitch Quarterly, Hasselblad, L'oreal, Marshall Fields & Co., Nokia, and Beauty.com, Sarah Silver has achieved great success for a young photographer. Her images have appeared in Harper's Bazaar, Cosmopolitan, New York Times, InStyle, Elle, Surface and the Italian and French...

Mike Stensvold  |  Mar 01, 2005  |  1 comments

Autofocusing is one of the best things that's ever happened to the SLR camera. I didn't think so while testing early examples when the AF SLR era began back in 1985, but a lot of progress has happened in the ensuing two decades. Today's AF SLR cameras, film and digital, will focus more quickly and accurately than most photographers can. Naturally, the higher-end...

Lynne Eodice  |  Jul 01, 2004  |  3 comments

There are different ways to reveal motion in a photo--you can freeze the action, blur it, or pan along with it. (You can even fake it by holding a Cokin Super-Speed filter in front of your compact camera's lens.) The next time you're taking pictures of a child's soccer game or horses running across a field, you may...

Lynne Eodice  |  Apr 01, 2004  |  0 comments

All Photos by Peter McGowan

 

Taken from the viewpoint of one who clearly loves the outdoors, Peter McGowan's images of water sports draw the viewer in and make you feel the excitement of the open sea.

 

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