Lighting

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Web Photo School  |  Nov 01, 2002  |  0 comments

Creating portraits outdoors can present a number of challenges, particularly on clear, sunny days. Because direct sunlight is one of the most "high contrast" light sources there is, it is often too harsh for natural-looking...

Jack Neubart  |  Oct 01, 2002  |  0 comments

Any time of year presents us with budding opportunities to shoot close-ups. We can find flowers any time of year, indoors--and possibly even outside. And we're not just limited to...

Roger W. Hicks  |  Oct 01, 2002  |  0 comments

Few people realize that photographic spot meters date back some 2/3 of a century. The very first was built by Arthur Dalladay, editor of The British Journal of Photography, in about 1935; he described it in the BJP Almanac of 1937 on pages 127-138. This meter still exists, in the possession of a...

Steve Bedell  |  Oct 01, 2002  |  0 comments

Many years ago when I opened my first studio, I visited another photographer who had been in business for many years. When I saw his camera room, I noticed he had a big "X" on the floor in a few...

David Wade  |  Oct 01, 2002  |  0 comments

Spain offers a veritable feast of photographic subject matter, with its wide variety of people, scenic countryside, castles, coastline, and architecture. You can choose...

Jack Neubart  |  Oct 01, 2002  |  0 comments

You can go your entire life using a 35mm SLR and its built-in flash without ever buying an accessory electronic flash unit. If you don't mind compromise. The built-in flash takes fairly long to recycle and may not be ready when you are...

Ben Clay/Web Photo School  |  Sep 01, 2002  |  0 comments

Recently, I was at a local dance studio taking a headshot for one of their dancers, Crystal. While headshots can be fairly straightforward, it is always good to keep different lighting approaches in mind. Here, I ran through some fairly fundamental...

Ben Clay/Web Photo School  |  Aug 01, 2002  |  0 comments

Color temperature refers to the frequency of color that can be measured from any particular light source. The efficiency of our own visual experience, however, can make the idea of color temperature somewhat confusing. This is because our eyes have...

Ben Clay/Web Photo School  |  Jul 01, 2002  |  0 comments

There are many photographers who absolutely dread the thought of shooting jewelry. After all, jewelry is often highly reflective, very small in size, and can be difficult to work with in creating a composition.

Tony L. Corbell  |  Jul 01, 2002  |  0 comments

People who have attended art classes have been taught that in order to produce depth in a painting there must be a foreground, middle ground, and background. Control over this dimension and depth usually is the result of planning and foresight. As...

Ben Clay/Web Photo School  |  Jun 01, 2002  |  0 comments

For many fashion and portrait shots, it is necessary to use several different light sources to get good results. It is not uncommon to have a main light, a fill light, a hairlight, and one or two background lights. However, sometimes a great shot can...

Steve Bedell  |  May 01, 2002  |  0 comments

I must admit that when I travel I usually don't bring along a lot of camera gear. Depending on my mood and how much I've been shooting before I travel, I can bring anything from a full medium format system with back up to a point-and-shoot 35.

Clint Farlinger  |  May 01, 2002  |  0 comments

"What are you photographing?" I was so lost in the scene in my viewfinder that it took a few moments before I realized she was talking to me.

"All the textures and colors in the...

Ben Clay/Web Photo School  |  May 01, 2002  |  0 comments

Most people assume that professional portraiture requires expensive camera strobes for good results. Strobes can work beautifully with portraits, particularly when used with softboxes, but they are not necessary in many situations. Armed with equipment to...

Roger W. Hicks  |  May 01, 2002  |  0 comments

Where are alternatives to
on-camera flash. Understanding this is one of the defining moments in
most photographers' progress. Up to a certain point, you just turn on
the flash, or shrug and say, "There isn't enough light." Then, one day--like
a...

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