Ron Eggers

Ron Eggers  |  Oct 01, 2009

Some of the most interesting new cameras are extended zoom models, lightweight units that have extremely long-range zoom lenses that make it possible to use a small camera to capture a distant subject. Extended zooms fall into two broad categories: compact models with 10- to 12-megapixel sensors and zoom ranges around 10-12x, which can fit into a pocket or purse, and slightly larger cameras...

Ron Eggers  |  Oct 01, 2009

On-camera flash units have been around for some 50 years and now they’ve become much more sophisticated with the development of D-SLRs.

Ron Eggers  |  Oct 01, 2008

There are various companies that offer studio kits in a box (or canvas bag). For the most part, such portable studio systems are primarily lighting setups. They might include the heads, self-contained power packs, stands, and some type of diffuser. That's enough to get started with studio work, especially for experienced shooters. But photographers just starting to work with...

Ron Eggers  |  Oct 01, 2008

One reason that many photographers prefer working in a studio is because they can totally control all aspects of light, from its source to its power, temperature, and direction. To control light in a studio, photographers utilize a variety of light modifiers, including umbrellas, softboxes, light tables, and barn doors.

Shooting in the field...

Ron Eggers  |  Oct 01, 2007

Ringflashes, or ringlights, are specialized pieces of equipment that work great in certain situations, but they're not the right choice for others. These circular units have a center-mounting bracket that allows the lens to extend through the ring of light. When the flash is triggered, light explodes around the lens, lighting up the subject somewhat like an on-camera flash.

Ron Eggers  |  Apr 01, 2007

Photoflex's newest lighting series are the LiteDome Kits, versatile softboxes that have been designed for strobe lights using the proprietary Photoflex Strobe Connector. There are a number of things that the LiteDome Kit has going for it, including portability, power, and outstanding performance. Even though it's being targeted at all levels of photographers...

Ron Eggers  |  Jan 01, 2007

Wireless flash control is really big right now. For a long time, wireless systems primarily used slave triggering or infrared technology to fire strobes remotely. Increasingly, though, RF (Radio Frequency) systems are becoming the norm. RF systems, which generally provide multiple frequencies, make it possible to have a number of different photographers shooting with their own...

Ron Eggers  |  Dec 26, 2006


The Topaz A2, which powers the Ringflash, is a full-size power pack
with 1600 ws output that features symmetrical/asymmetricalp...

Ron Eggers  |  Dec 01, 2006

One of the difficulties of getting involved in studio work is trying to figure out where to begin. There are so many different lighting systems and so many equipment options available that it's not easy to figure out what's essential, what might be nice to have, and what really isn't necessary, at least when you first begin. Just what type of lighting do you need...

Ron Eggers  |  Dec 01, 2006

Electronic flash functionality continues to expand with one of the major innovations over the last few years being portability. For a long time the options were either using professional lighting gear in the studio, or using makeshift portable-powered lighting setups on location. Frequently, photographers would jerry-rig battery-powered auxiliary on-camera flash units to work with...

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