George Schaub

George Schaub  |  Apr 01, 2008

At a recent photo trade show in New York numerous paper companies showcased the latest trend in inkjet media--papers that had the look and feel of the best of past silver printing papers. The diversity of weight, base color, and texture are now quite amazing, exceeding anything we ever had in the chemical darkroom. The truth of the matter is that while there are many brands...

George Schaub  |  Apr 01, 2008

Now that Nikon has entered the "full" or FX-format realm with their new D3 the debate is sure to ensue about what creates the best image quality--so-called DX (or APS-C) sensors or the 35mm-size sensor found in the Nikon D3 and former Canon models and the new Canon EOS-1Ds Mark III, reviewed in this issue. (The D3 review will appear in our May issue.) These...

George Schaub  |  Mar 26, 2008

If you ever want a unique point of view try a "fisheye" lens. Like
looking through a door peephole (which in fact is a "fisheye" type)
this order of lens sacrifices linear correction in favor of a very wide angle
of view. Originally made for creating "full sky" images when pointed
straight up, they had long ago been adopted by photographers for creation of
decidedly different points of view, and, today, even doing QuickTime movies
to display the interior of a condo or vacation home.


Sigma 4.5mm f/2.8 EX DC HSM (Motor-in) Lenses

...

George Schaub  |  Mar 01, 2008

The new flagship model of the Nikon advanced amateur (or semi-pro, if you will) line-up, the 12.3-megapixel DX-sensor (1.5x multiplication factor) D300 incorporates all the latest features in the D-SLR realm, and then some. Sporting a new digital image processor, dubbed EXPEED, and a 3" monitor, the D300 can create 12-bit or 14-bit NEF images and capture up to 8 frames per...

George Schaub  |  Mar 01, 2008

Gone are the days when we might be discussing the merits of stock vs. dilution ratios for film processing and the uses of potassium ferricyanide for snapping up highlights on prints. While these are still items of interest for those working in the chemical darkroom, the talk these days is more about raw image converters and which plug-ins are optimum for gaining a "Velvia...

George Schaub  |  Feb 01, 2008

Those who have been around for a while have to be amused by the occasional proclamation that another black and white renaissance has occurred. This pronouncement from industry wags is made every few years to usher in another glorious age for black and white photographers and printers. This time around the gushing is around new inkjet papers, dubbed "exhibition quality"...

George Schaub  |  Feb 01, 2008

Mac users can use Aperture to attain good foundation monochrome images from digital camera and scanned RGB files. Because Aperture treats the original raw file as sacrosanct, and works in Versions from what it dubs the Master, many options can be explored before exporting the file to image-manipulation software for further refinement. As with any conversion software, I suggest...

George Schaub  |  Jan 01, 2008

Two things have changed in determining the best bag for lugging around gear while traveling by plane--the type of gear a photographer travels with and the airline restrictions on carryon gear. These days there seems to be a need for more space for accessories required than actual camera and lens, what with more and more photographers traveling with laptops, card readers...

George Schaub  |  Jan 01, 2008

As someone who has paid the rent with photography since high school I often find myself uncomfortable when the words "photography" and "art" are linked in a sentence, especially when art is spelled with a capital "A." I see photography as a craft, one that takes rigor, training, and sacrifice to get right. But I also see photography as an art;...

George Schaub  |  Dec 01, 2007

Last year we reported that Fujifilm had promised to be the "last man standing" when it came to maintaining and introducing new films, and we are happy to report that their promise has been kept. With a recently introduced Fujichrome Provia 400 and a return of Fujichrome Velvia 50, the company continues to upgrade its chrome film line with new emulsions that improve...

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