Outdoor Photography How To

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The Editors  |  Mar 01, 2005  |  0 comments

You should always shoot with your eyes wide open (at least, the one looking through the viewfinder). But often it pays to shoot with your lens wide open, too.

Wide apertures let in more light, so you can use a faster shutter speed in any given light level. This is handy for anything from low-light photography to action shooting.

 

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Mike Stensvold  |  Mar 01, 2005  |  1 comments

Autofocusing is one of the best things that's ever happened to the SLR camera. I didn't think so while testing early examples when the AF SLR era began back in 1985, but a lot of progress has happened in the ensuing two decades. Today's AF SLR cameras, film and digital, will focus more quickly and accurately than most photographers can. Naturally, the higher-end...

Lynne Eodice  |  Feb 01, 2005  |  0 comments

Robert Farber is renowned for his painterly images. Throughout the years, he's carved a niche with his romantic, illustrative approach to photographing nudes, landscapes and a variety of other subjects that have been featured in books like By The Sea and Farber Nudes.

 

He's continued this tradition with a new book, entitled American Mood...

Lynne Eodice  |  Feb 01, 2005  |  0 comments

When you view a smooth, shiny surface from the proper angle--such as glass, metal or water--you'll see a reflected image. These reflections provide you with a great opportunity to add interest to a photo by showing two different aspects of the environment at the same time. Since the reflected portion of the image is almost always distorted, it often lends a surreal...

The Editors  |  Feb 01, 2005  |  0 comments

Good photographs needn't be complicated.

You can often make better pictures by thinking "simple."

Instead of trying to get as much as possible into the shot, try to include as little as possible. Ideally, you should include everything that adds to the picture, and nothing else. But that's a tall order for those new to photography...

Mike Stensvold  |  Feb 01, 2005  |  8 comments

When you focus your camera's lens on a subject, the point focused upon is sharp. Objects in the scene closer or farther than that point appear progressively less sharp as their distance from the focused point increases.

Depth of field refers to the area in front of and beyond the point focused upon in which things appear acceptably sharp in a photograph. Depth of...

Lynne Eodice  |  Jan 01, 2005  |  0 comments

Anyone who loves shooting scenics probably enjoys capturing the grandeur of mountains. As with most landscapes, it's best to photograph mountain scenery very late in the afternoon or very early in the morning. Some of the best high-country photos are shot by photographers who get up before daybreak or stop shooting only after dark. You'll find that an otherwise...

The Editors  |  Dec 01, 2004  |  0 comments

It's winter, and with the season come wonderful opportunities to produce some great snow and ice photos. On the following pages are a few tips to help you do just that.

The basic idea is to have the brightest areas of snow or ice appear white, but with a trace of detail. Very small areas can be blank white, but large areas should have some texture and detail.

Lynne Eodice  |  Nov 01, 2004  |  0 comments

A lot of photo enthusiasts say, "The sun's out--time to take pictures," and put their camera away come nightfall. But if this is your philosophy, you're missing half the fun of photography. You can take some exciting night shots of colorful neon signs, the streaked taillights of traffic in motion, or shadowy figures silhouetted by street lights.

Lynne Eodice  |  Oct 01, 2004  |  1 comments

Autumn is a season of change, accompanied by colorful foliage, pumpkin patches, and costumed children decked out for Halloween. Days become shorter and the sun is positioned lower in the southern sky, creating warmer light than in the summer months.

If you want to photograph fall colors, find out when the peak time will be.

The Editors  |  Sep 01, 2004  |  0 comments

Electronic flash is a versatile photographic tool. From tiny units built into cameras to multi-head studio flash systems with separate power supplies, electronic flash is popular with photographers from snapshooter through pro.

Here are a few handy tips to help you get better photos with flash.

 

 

Lynne Eodice  |  Sep 01, 2004  |  0 comments

Beautiful scenic views rank among our most popular subjects to photograph, but surprisingly, they can be one of the most challenging subjects to capture on film or a memory card. The human eye perceives a scene differently than the camera does--we tend to see selectively, while the camera lens simply takes it all in. Also, there are elements that add to our experience...

Mike Stensvold  |  Sep 01, 2004  |  0 comments

All Photos by Mike Stensvold

 

Proper exposure is important. Color-print film has a lot of "latitude," and digital images can be manipulated extensively, but a properly exposed image will always look better than a "corrected" poorly exposed one.
What is "proper" exposure, anyway? Well, it's the exposure that gives you the...

Lynne Eodice  |  Aug 01, 2004  |  0 comments

All photos by Jay Dickman unless otherwise indicated.

 

Pulitzer Prize-winning photographer Jay Dickman has covered assignments internationally as a photojournalist for the Times-Herald in Dallas, Texas, and as a contributor to National Geographic, as well as shooting for most...

Mike Stensvold  |  Aug 01, 2004  |  0 comments

Shooting good photos in dim light is challenging, but can also be quite rewarding, because capturing the feel of the existing light generally produces a more pleasant picture than using on-camera flash.

The basic problems facing the low-light photographer are being able to use a fast enough shutter speed to permit hand-held shooting, and being able to use a small enough lens aperture to...

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