Lighting How To

In this episode of the Last Frame, Joe Edelman demonstrates how to capture some great fashion photos without a lot of expensive gear. As he explains in the video below, all you need is a single strobe, a 50mm lens, and a couple “gobos” or light modifiers you can easily make yourself.

The first time I met Craig La Mere was at an ice cream shop in Brunswick, Maine, at about 11 p.m. Really. It was the night before the Maine Professional Photographers Association conference was going to kick off. I was there as a print judge, La Mere as a speaker. I recognized him from his Moz (his studio name) logo hat, although he didn’t know who this stranger was who was accosting him.

Joe McNally learned the value of supplementing available light with flash early on in his career as a photojournalist. Currently a Nikon Ambassador who works mainly as a commercial/editorial portrait photographer, McNally has become a staunch advocate for the use of Nikon Speedlights on location, often using these small flashes off camera in multiple lighting setups. McNally even mixes his Speedlights with studio strobes on occasion when the situation warrants.

Got Questions About Photography? Professional Photographer and Photoshop Expert Scott Kelby Has Got Answers.

Got Questions About Photography? Professional Photographer and Photoshop Expert Scott Kelby Has Got Answers.

Shutterbug reader Larry Young has managed to freeze a moment in time and transform a drop of water into an alien universe all from the comfort of his garage. So, how did he do it?

David X. Tejada’s assignment was a lighting demo for a how-to video and end-use images. The location was a private home where he was asked to create the effect of artificial sunlight. The weather cooperated by providing rain.