Don’t look now, but film is making a comeback! The reason why is that it’s still a great way to capture distinctive images that express your personal vision.
It’s been called “the longest running SLR in history” and that’s no exaggeration. Everyone who discovered photography at the same time I did – the early 1980s – either owned a Pentax K1000 or knew someone who owned a Pentax K1000.
Ever since digital supplanted film as the primary capture medium sometime in the early 2000’s, the number of new analog cameras available on the market has declined precipitously.
Ninety years ago, at the 1925 Leipzig Spring Fair in Germany, a camera was launched that was destined to change the face of photography. This was a time when it was still common for glass plates to be used in cameras, and those that took roll film were thought of as miniatures. So imagine the culture shock when a still photography camera was produced to take 35mm movie film.
Ilford Photo recently confirmed reports that there are no plans to discontinue production of their XP2 SUPER film. The product is in free supply globally from Ilford Photo distributors and retailers.
Some classic slide films never goes out of style. Or at least that’s what Lomography is hoping now that it’s now brought back Agfa CT Precisa color 35mm slide film. Best known the cool blue tone effect it produces in photos – such as the pumped up blues in images of skies – Agfa CT Precisa also has a fine grain quality and is available in ISO 100.
Let’s be honest. One thing no one would have expected at photokina was a unique new black-and-white silver halide process. But that’s what we got. Well, not exactly brand new. It’s a revival of a technology that hasn’t been seen in decades, quite possibly not in the lifetime of many of our readers: direct reversal paper.
Film photographers are a cantankerous and ungrateful crew, often greeting revised films with suspicion and resentment instead of hope and pleasure. To some extent this is understandable, because they usually have to establish new development times and possibly new exposure indices, too; but the manufacturers' claimed improvements are usually honest, and without them...
There is a saying: remember, you are unique, just like every other human being. There is also the question of how far we are shaped by our genes, and how far by our upbringing.
Similar observations apply to infrared (IR) films. No two emulsions are quite the same (genetic uniqueness), and even with the same emulsion, each photographer has a different regime for...
Last year we reported that Fujifilm had promised to be the "last man standing" when it came to maintaining and introducing new films, and we are happy to report that their promise has been kept. With a recently introduced Fujichrome Provia 400 and a return of Fujichrome Velvia 50, the company continues to upgrade its chrome film line with new emulsions that improve...
It is interesting that as digital imaging began its ascendancy film reached an all-time high in quality: hue, saturation, and sharpness, all of which meant digital had to try harder to be better. One of the films that stood out were the Kodak Professional Portra color negative emulsions, which in the last 10 years have become a favorite for photographers worldwide.
The name says it all: Rollei's ScanFilm 400CN Pro is an ISO 400 color negative film (Kodak C-41 compatible) for scanning, rather than for wet printing. The big difference is that the orange mask, incorporated in almost all color negative films since the 1950s, is omitted: it just isn't needed if you are scanning.