Pro Techniques

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Jay Abend  |  May 01, 2000  | 

The Simple Life

I love fancy photography equipment as much as the next guy, but there are times when I like to put away all of the expensive cameras, lighting gear, and softboxes and try and shoot with some basic gear.

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Jay Abend  |  Apr 01, 2000  | 

If you still think of portraits in terms of main light, fill light, and key light, I think you're missing out on some fresh and exciting techniques. While the classic studio portrait is still practiced by lots of amateurs and practically every...

Steve Bedell  |  Mar 01, 2000  | 

I have to admit something to you. About five years ago, when it was becoming very evident that digital technology would become increasingly important for the imaging professional, I tried to look the other way. I figured it would be a niche market. If they...

Barry Tanenbaum  |  Dec 01, 1999  | 

Lindsay Silverman
Marketing Manager, SLR Program Development
Nikon Inc.

Flexible Flyer. "Don't be married to one method of shooting. Even though the cameras I use can be customized, I...

Barry Tanenbaum  |  Oct 01, 1999  | 

They recognize him, the eagles.
Not all of them, of course, but enough of them so that he can get close...and
closer still. "I learned that eagles can recognize a face for
over 20 years," John Pezzenti,J...

Rosalind Smith  |  Sep 01, 1999  | 

"When showing your
portfolio it is a good idea to offer up a variety of choices--some verticals,
some horizontals, some wides, and some tight details."

...

Jay Abend  |  Sep 01, 1999  | 

One of the most difficult obstacles to overcome for the aspiring studio photographer is the lack of a proper space to shoot. Spare bedrooms, garages, attics, and basements have all been transformed into makeshift studios, and most lack adequate space to...

Rick Sammon  |  Aug 01, 1999  | 

I'm a zoom lens man. I use zooms in virtually all my travel work, making exceptions when I need a macro or super telephoto shot.

This was not always the case. Back in...

Jay Abend  |  Jul 01, 1999  | 

If you have been reading Shutterbug for some time, you're no doubt aware of the constant drumbeat of the digital photography industry. The products used to fall into two categories--expensive cameras that take frightfully bad pictures, or frightfully...

Joe Farace  |  Jul 01, 1999  | 

A tree is a tree is a tree
--Max Sennett

That silent film pioneer may have been talking about why shooting movies on location in Hollywood was a good idea for the fledging film...

Barry Tanenbaum  |  Jul 01, 1999  | 

For years we've been asking professional photographers a variation of the same question: what does it take to be a pro? We may ask, "What's the secret of your success?" (as if it were a secret); or, simply, "What is it that...

Rosalind Smith  |  Jul 01, 1999  | 

"Your camera is like
a Geiger counter. It takes you to the right place. When it faces something
that doesn't interest you, there is no tick-ticking, but when
it faces something you like, it is tickingaway....

Rick Sammon  |  Jun 01, 1999  | 

Many amateur photographers have a simple remedy for shooting in low-light conditions--they turn on their flash units and blast the hell out of a scene or subject. Well, that technique sure is effective. For a more pleasing and more creative picture...

Peter K. Burian  |  Jun 01, 1999  | 

Although we tend to take them for granted, batteries are an integral part of photography. Virtually every camera developed in the last 10 years becomes merely a paperweight without voltage to keep its mechanisms ticking. Unlike the previous generation which required power for little more than...

Rosalind Smith  |  Jun 01, 1999  | 

Marnie Crawford Samuelson
recalls one of her earliest influences, the photographer Sam Abell,
telling about a body of work he did on canoeing. His bosses were not
enthusiastic about the project initially but Abell hadst...

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