Photo Accessory News

Sort By: Post DateTitle Publish Date
Joe Farace  |  Dec 01, 2008  | 

“Something you threw together in crafts class, Princess?”—Buck Rogers in the 25th century

 

As a kid during the 1950s, I had one of the last Buck Rogers ray guns produced. These were actually flashlights made by Norton Honer but were designed to look like Buck’s ray gun. It’s only fitting that ExpoImaging’s Ray Flash ringlight converter projects light as...

Ron Leach  |  Mar 01, 2018  | 

Most photographers have experienced the trauma of being on a daylong shoot, draining the camera's battery, and discovering that their spare is sitting on a charger at home. There’s not much you can do about that, unless you check out the video below.

Jack Neubart  |  May 23, 2014  |  First Published: Apr 01, 2014  | 

I’ve had to replace a failing computer hard drive more often than I’d care to remember. Fortunately, I’ve learned my lesson: my workstation now includes external drives as both backup and primary storage. I routinely move content from the computer onto one external drive and back up to a second drive. (I usually prefer to transfer memory card files first to the computer, so that my backups will include these; then I move those files to the external drive when a project is completed, making sure that they are synced to Lightroom.) Unfortunately, the cost of all this may amount to the price of a second camera body or new lens, but it’s money well spent, as you’ll realize the first time a drive goes down.

Joe Farace  |  Dec 16, 2016  | 

Sports photography shares much in common with capturing images of wildlife: You’ve got an active scene captured at a distance requiring specialized equipment and knowledge of the subject’s activities while anticipating what they are going to do next…or not. Sure, you’ll need fast, long focal length lenses but you will also need camera supports and other gear that along with specialized knowledge separates the virtuosos, like Regis Lefebure (regislefebure.com), from the wannabes. Here’s a look at some of our favorite tools of the sports trade.

Cynthia Boylan  |  Oct 13, 2015  | 

Want to add a little speed to your imaging workflow? Lexar just introduced a new 128GB capacity model of their Professional 2000x SDXC UHS-II memory card. The 128GB Lexar Professional 2000x SDXC UHS-II card will be the fastest UHS-II memory card available at this capacity on the market.

Jon Sienkiewicz  |  Jun 24, 2016  | 

No, we’re not cooking color slides and film negatives in a pop-up toaster like Eggo waffles. The FilmToaster is a device that enables you to create digital image files from virtually any size film or transparency up to 4x5. You supply the DSLR and macro lens. If you have a shoebox full of family negs like many of us do, prepare to bring those old images back to life. 

Cynthia Boylan  |  Jun 19, 2015  | 

The Lens Bracelet: Transform your passion for photography into a unique fashion statement for yourself or someone you love. The Lens Bracelet is a soft silicone replica of the focusing ring of a lens featuring the embossed lettering you’d normally find there like 50mm, AF/MF and even lens grip ridges. This bracelet is one size fits all (7 inches) and since everyone has a favorite lens type, you can choose the focal length and camera that best represents you: 50mm prime in Canon or Nikon, 24-70mm zoom in Nikon, or 70-200mm in Canon. Two bracelets are included in each set. The Canon set has a retail value of $25, the Nikon Pro set is $25 and the Original set is just $15.

Dan Havlik  |  Aug 05, 2014  | 

If you want to correct the color in your photos and videos but don’t want to spend an arm and a leg doing it, Datacolor has just introduced the SpyderCHECKR 24, an affordable priced color calibration tool for your camera.

Ron Leach  |  Feb 26, 2018  | 

There are two important facts about flash photography that everyone should understand: The first is that a simple external flash mounted atop a camera (or used remotely for even better results), can make a huge difference in photographs when shooting indoors or out. Number two is that the use of an accessory flash is much easier than most photographers think.

Jack Neubart  |  Jul 01, 2010  | 

Until now I thought I’d experienced practically every flavor of geotagging device on the planet (“Geotagging Devices And Software: Now You’ll Always Know Where You Took That Picture,” Shutterbug, May 2009). So when I was later introduced to Foolography at a trade exposition, I didn’t pay too much attention to their new Unleashed. Until they offered to send a test...

Ron Leach  |  Jul 22, 2024  | 

This comprehensive macro tutorial from the Naturefold YouTube channel is designed for those new to the genre. Yet, everything discussed will prove equally helpful if you've given closeups a try and were disappointed with your results.

Ron Leach  |  Mar 30, 2016  | 

Using filters with ultrawide lenses can often be a difficult proposition but Fotodiox has just launched a nifty solution. Called the Wonderpana FreeArc XL, the innovative filter system enables Canon shooters to use NDs, polarizers and other filters on the ultrawide Canon 11–24mm lens.

Jon Sienkiewicz  |  Nov 10, 2016  | 

As the name implies, the Fotodiox LED Studio-in-a-Box is a self-contained tabletop studio that features interior LED lighting that has a daylight color balance of 5600 Kelvin. The CRI, or Color Rendering Index, is 85 (on a scale 0 to 100).

Ron Leach  |  Jun 06, 2016  | 

Wireless camera remotes are fairly common these days but most offer only limited control over your DSLR or mirorrless camera. That changes with the new and sophisticated Pulse remote camera trigger from Alpine Labs, which combines pro features with an easy-to-use interface and a surprisingly low introductory price of $89.

Jay Miller  |  Feb 10, 2012  |  First Published: Jan 01, 2012  | 

I’ve been a dedicated gimbal head user for a long time. If you shoot with seriously long lenses, no other head comes close to offering a gimbal’s stability, articulation, and flexibility. Forget ball heads and anything else designed to attach long telephotos to a tripod. If you’re a big lens user and you photograph things that move, a gimbal is the only way to go.

Pages

X