Photo Paper News

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Jon Canfield  |  Jun 01, 2010  | 

There are a couple of new printers aimed at the event photographer market, and there are plenty of media options as well for snapshot to fine art printers. And, the photo book industry is taking off—there were more book printing options available than ever before, both for the portrait/wedding photographer with companies like Fujifilm, HP, Kodak, and Lucidiom all having offerings in both...

Cynthia Boylan  |  Oct 12, 2015  | 

The powerful work of Norwegian photographer and artist S. Manneraak will be on display this month in a unique exhibition titled "Norwegian Hallucinations. Canoe Studios, which is hosting the show, partnered with Legion Paper to put on the exhibition.

George Schaub  |  Apr 24, 2014  | 

The print completes the creative circle you began inscribing when you first viewed the image and snapped the shutter. The beauty of black and white printmaking is that you can share that vision through interpretive techniques that include expressive use of tonality, artful contrast and exposure control. Yes, digital images can be viewed on a screen and shared through the Internet to a worldwide audience. But nothing quite matches the intimate beauty of a carefully produced print, one that can be hung on a wall in your home or a gallery.

Joe Farace  |  Jul 31, 2015  | 

Everybody makes prints from their digital image files—everybody. It may just be cranking out a few photo prints from a birthday party on a kiosk at Walgreens, or wedding photographers having full albums printed at commercial labs, but contrary to some pundits who claim digital has destroyed the need for a physical print, they are still being made and enjoyed. As Mark Twain once said, “Facts are stubborn, but statistics are more pliable.”

George Schaub  |  Sep 01, 2008  | 

Like most everything else these days the cost of "art" inkjet printing paper seems to be going through the roof, so printmakers are seeking alternatives without sacrificing quality. The perceived issue with some so-called "third-party" papers (those that do not carry the printer maker's brand, thus lack a profile installed with the original start up...

George Schaub  |  Dec 15, 2015  | 

Print surface decisions are usually conditional, that is, they depend on the look you want for each image and how you might intend to display the print later. There is a general wisdom that states that glossy surfaces make prints look “sharper” and matte makes them look “softer”, although that softness is more in overall tone and mood (and ink dispersion) than edge definition.

Staff  |  Mar 01, 2016  | 

THE GOODS is a new feature in Shutterbug that spotlights the hottest premium photo gear out there. If you have a product you’d like considered for The Goods, e-mail images and info to editorial@shutterbug.com.

David B. Brooks  |  Sep 01, 2007  | 

In the decade or so since I purchased my first inkjet photo printer, and in all the years I have been writing about digital photography, the one topic I have seen the least written about, and received the fewest questions about, is inkjet paper. I often wonder why photographers are so incurious about the one item that has now very likely replaced film as the one, true hard copy of...

George Schaub  |  Aug 29, 2014  | 

The Technical Image Press Association (TIPA) member magazines recently convened for their General Assembly to vote for the best photo and imaging products launched by the industry in the last 12 months. The voting took place during the General Assembly that was held in spring, 2014, in Vancouver, Canada.

Joe Farace  |  Nov 01, 2004  | 

Photos © 2004, Joe Farace, All Rights Reserved

 

It's no secret that the simplest way to get high quality output from an ink jet printer is to use the best paper. What's the best? That depends on your printer and the kind of inks it uses.

It...

George Schaub  |  Nov 12, 2015  | 

I’ve always been a strictly DIY print guy and have done my fair share of printing over the years, but I’ve recently seen some intriguing print presentations by friends and associates—on aluminum, bonded under acrylic glass, on textile or canvas—that I could never produce in my studio. As I researched the idea I decided it was time to check out a custom lab that could broaden my print options.

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