Portrait Photography How To

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Ron Leach  |  Mar 31, 2025

Too many photographers avoid using flash because of a misconception that this versatile accessory is overly complicated to master, but today's quick tutorial from Newcastle Photography College will quickly allay these concerns and inspire you give basic flash photography a try.

Ron Leach  |  Mar 27, 2017

Making great portraits doesn’t have to require a lot of expensive gear as you can see in the quick tutorial below from Canadian commercial photographer Nathan Elson. In less than three minutes Elson explains two indoor setups and one outdoors that are guaranteed to give you some great results.

Ron Leach  |  Apr 13, 2017

Sometimes it’s great to get outdoors and shoot environmental portraits with a real backdrop like Colorado’s Flatiron Mountains outside of Boulder. The problem is that unless you have some sweet golden-hour light, the harsh midday sun can make such a task very difficult.

Ron Leach  |  Sep 14, 2016

It sure helps to have a sexy model when shooting swimwear, but there’s also a lot technique involved if you want to get great results. In this helpful tutorial, commercial photographer Dixie Dixon demonstrates what you need to know.

Ron Leach  |  Dec 19, 2016

Shutterbug columnist Scott Kelby recently gave a great lecture on the ethics of portrait retouching, and offered some valuable tips on how to improve your people pictures without making your subjects look fake.

Ron Leach  |  Oct 27, 2017

On-camera flash tends to get a bum rap, especially for portrait photography. But if you want to shoot stunning people pictures at night, unencumbered by flash brackets, light modifiers, or other flash attachments, all you have to do is watch the quick tutorial below. 

Ron Leach  |  Mar 16, 2017

We usually turn to Mathieu Stern for insight on adapting bargain vintage lenses for use with modern digital cameras. But in the quick video below, Stern gives a 30-second tutorial on making eyes “pop” with Photoshop.

Ron Leach  |  May 20, 2025

One of the foremost photography challenges is learning how to properly evaluate the light in a scene and arrive at a perfectly balanced exposure. If you find this a struggle, the tutorial below from pro Gil Kreslavsky explains everything you need to know in the next 11 minutes.

Ron Leach  |  Sep 25, 2017

Let’s face it: Unless you’re a pro on assignment with the time and resources to scout out great locations, it's often necessary to shoot under less-than-ideal conditions. But in this four-minute video from photographer Manny Ortiz, you’ll learn how to make the best of a bad situation.

Ron Leach  |  Feb 15, 2022

Have you ever captured a photo, looked at it on your camera’s LCD, and said to yourself, “Wow! This looks perfect,” only to view the image closely on the computer and find a bunch of distracting imperfections? If that’s a familiar scenario, this tutorial is for you.

Henry Anderson  |  Jul 01, 2021

Last month, portrait photographer Anita Sadowska conducted a lens shootout pitting the Canon 35mm F/1.4 vs the Sigma 35mm F/1.4 vs the Tamron 35mm F/1.4. The comparison test went down to the wire with the Tamron doing well considering its affordable price and the Canon succeeding for overall image quality.

Ron Leach  |  Jan 16, 2025

Inexperienced photographers typically strive for maximum sharpness from foreground to background in every image they shoot. A more sophisticated approach often involves strategically adding lens blur to accentuate a key subject within frame. And you'll learn an effective way to do exactly that in this tutorial from the Park Cameras YouTube channel.

Ron Leach  |  Mar 21, 2023

There was a time when lens flare was considered a negative attribute of photos shot outdoors. Often caused by using a lens with inferior coatings (or no coatings at all), flare can also result from failing to use a lens hood when shooting on sunny days (depending on your position relative to the sun).

Ron Leach  |  May 21, 2025

Focal length is one of the most essential concepts in photography, and a firm understanding of how it works is crucial when choosing the proper lens for a specific scene. Most photographers know that focal length determines the magnification of a subject within the frame, but there's more to consider than this.

Joe Farace  |  Mar 14, 2017

The late Mr. Newton was certainly onto something. I believe the overwhelming desire of most portrait photographers is to please the client, with seduction, amusement, and entertainment far from their minds. Let me submit this idea: shoot what the client says they want and then shoot something challenging their assumptions. Most wedding clients tend to be traditional but even introducing black and white or infrared images can increase sales and show clients you’re thinking outside the veil.

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