Portrait Photography How To

Shooting a self-portrait is a challenging task, but can be very rewarding. The one person that most photographers probably photograph least is themselves, and this is true even with those who enjoy shooting portraits of others. However, taking self-portraits has several advantages: you'll always have a willing subject...

As with an environmental portrait, you can capture revealing images of people by photographing them at work. The idea is to not only portray the individual, but to show what a person does with his/her life. Most occupations have distinctive tools, clothing, or settings that can be interesting to photograph. Some people who would...

Jeff Rojas is a successful New York portrait and fashion photographer with a clear message in all his tutorials: “Keep it simple.” In the quick video below, he shows you three techniques for using a single reflective umbrella that deliver great results.

If you’re interested in portrait photography, you’ve likely had to decide whether to shoot your subject with natural window light or artificial light from a flash or strobe. Most photographers will admit that neither is “better” than the other; they’re just different and suited for different subjects, different situations, and different tastes.

The reality is you can make portraits using any lens but most photographers will tell you the ideal portrait lens has a focal length in the range of 85-135mm. The first dedicated portrait lens was the 150mm f/3.3 Petzval developed in 1840, which had a 30-degree angle of view and was considerably faster than lenses of the period. It was so legendary that Lomography recently produced a new version for Canon EF- and Nikon F-mount cameras that costs $599.

People are among the most popular photo subjects. This month's lesson presents some easy ways to produce better people shots.

1. Don't Just Sit There...
Static portraits—with the subject just slouched there, or stiffly posed, are not terribly appealing. It generally pays to play director as well as photographer when you're photographing people.

Most of us are familiar with the use of out-of-focus, seamless backgrounds by studio photographers, especially those who shoot portraits. Often, these backgrounds are a single color, such as white, black, or gray. In other cases, the backgrounds are a muslin material, adding texture to the background. The sole purpose of these backgrounds is to create a cleaner overall composition, giving the viewer no choice but to look at the man, woman, or child.