Outdoor Photography How To

Capturing waterfalls with your camera is one of the best things about nature photography. However, since waterfall photography is so common on social media and other locations, you really need to know what you're doing to shoot something unique.

All landscape photographers love shooting at Golden Hour when the sky is usually filled with amazing colors. But what should you do when the sky is covered with "boring" thick clouds, or you have to shoot at other times of day?

Portrait and beauty photographer Irene Rudnyk is one of the queens of the beach photo shoots on YouTube. A few months ago, we shared an awesome behind-the-scenes (BTS) video of Rudnyk’s tips for capturing backlit photos of a swimsuit model at the beach. Now she’s back with another great beach photography tutorial and BTS video on how to shoot gorgeous golden hour portraits.

Landscape photographer Mark Denney recently returned from a photography trip to Yosemite and came back with five great shooting ideas he says will improve your landscape photos this summer.

It's winter, and with the season come wonderful opportunities to produce some great snow and ice photos. On the following pages are a few tips to help you do just that.

The basic idea is to have the brightest areas of snow or ice appear white, but with a trace of detail. Very small areas can be blank white, but large areas should have some texture and detail.

When photographing interesting cities, you'll find it very convenient to travel light—a point-and-shoot camera will free you to concentrate on compositions and allow you to respond more quickly to great photo opportunities. If your camera has a built-in zoom lens, use it at its widest setting for...

He stands in about 3 feet of roiling surf, wetsuit jersey glistening from repeated dunkings. The sky above Oahu’s North Shore is deep blue. Undertow currents grasp his legs—eroding sand beneath his swim fins—as water rushes seaward to build the next huge wave. He holds his bulky waterproof camera housing tightly, faces west toward the setting sun and checks the long tether attached to his wrist. He turns his head to watch the wave rise ever higher—a towering blue-green monster that’s starting to curl, white spume blowing off its top. He braces himself as best he can against the forces raging around him, points the camera toward the golden Hawaiian sunset, and waits as tons of water begins to curl over him, forming a tube. At what he hopes is the right instant, he fires off several shots and prepares to be pounded and rag-dolled by the massive wave.