Pro Techniques

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Clay Blackmore  |  Jul 31, 2013  | 

Photographing couples is an art form that should not be underestimated. Finding the right way to get two people, no matter how wellthey know each other, to pose and stay in a position worth shooting can be extremely difficult. Success requires the right combination of clear communication and dexterous shooting ability. That’s why it is so crucial for portrait and wedding photographers to follow a clear system in order to have time to both shoot classically-posed shots and fun, candid photos.

Barry Tanenbaum  |  May 01, 2009  | 

After a while, showing wasn’t enough. Telling became the point.

And because Chris Heisey knows his Civil War, he has a lot to tell in his photographs.

Chris has been photographing Civil War battlefields for almost 20 years, and at the start he took straightforward record shots. “I’m self-taught,” he says, “and...

Barry Tanenbaum  |  Jul 26, 2013  |  First Published: Jun 01, 2013  | 

There are stories we tell to explain ourselves, to clarify who we are, and to account for why we are who we are. And no matter what the apparent subject of these stories, what they are always really about is the past. “The past is never dead,” William Faulkner said. “It’s not even past.”

Huub de Waard  |  Aug 16, 2013  | 

One of my favorite books as a child was Eric in the Land of the Insects, written by the Dutch author Godfried Bomans. In this humorous fantasy, 9-year-old Eric enters the landscape painting that hangs on his wall and discovers a world of man-sized wasps, bees, butterflies, and other insects that are stunningly similar to the world of humans. Once photography became a part of my life my world was populated with grasshoppers, spiders, snails, flies, dragonflies, and butterflies—Eric’s world.

Shutterbug Staff  |  Jun 22, 2023  | 

Take your photography skills to the next level—now. Here's an incredible offer that can energize your growth to pro status. Introducing the Skylum Luminar All-in-one Bundle that delivers the software tools and knowhow you need to capture, enhance and share your stunning shots effortlessly.

Scott Stulberg  |  Jun 01, 2007  | 

Mirroring photos has always been one of my favorite techniques, and it is a relatively easy way to come up with some fun and creative images. Mirroring images consists of duplicating part of a photograph and flipping it around in different ways to create a mirrored effect. I use all kinds of subjects for these creations and I am constantly looking for things that would produce...

Maria Piscopo  |  May 15, 2014  |  First Published: Apr 01, 2014  | 

While you as the photographer own the copyright to images you create, this does not negate the privacy rights of any recognizable individual in your photo. Knowing when you can sell or lease that image with or without a model release is important. In this article we cover that ground as well as the impact of social media and new technology on privacy rights and model releases.

Norm Haughey  |  Oct 01, 2008  | 

As mentioned in the previous tutorials, the impact and success of a studio portrait is often the combined result of lighting, composition, body language, lens choice, camera angle, clothing, color, texture, and even luck. Armed with a few portrait techniques, however, your work will improve dramatically. There are many portrait-making methods that can help you develop your own...

Maynard Switzer  |  Dec 05, 2012  | 

Travel is, by definition, motion, and among the photos I always look for on my travels are the ones that capture people in motion. For me motion falls into two categories: one I call sports movement, the other fashion movement. Sports movement is the bobsledder on his run down the track that results in a photo that’s a rush of color and a blur of background; fashion movement is motion that’s almost stopped—“almost” because the person’s activity is implied in the captured movement, and that’s what I do most of the time.

Roger W. Hicks  |  May 01, 2005  | 

Photos © 2004, Roger W. Hicks, All Rights Reserved

We fly less than we used to. Terrorists don't worry us: realistically, flying is still far safer than driving. But we don't like the hassle, three-hour check-ins, restricted carryons, frequent x-rays, and endless security checks. In that sense, the terrorists have made us (and many other people) change...

Jon Canfield  |  Sep 01, 2009  | 

Well, things have gotten much easier with Hahnemhle’s Gallerie Wrap. Available in Standard and Professional systems, the kits include everything you need to create a gallery wrap canvas print in about 5 minutes.

Rosalind Smith  |  Dec 01, 2007  | 

It's challenging to get the right combination of true color, composition, and light playing on figures who are moving in unprecedented positions at a rapid rate of speed. The dancers are theatrical, sassy, and innovative, and this is where Boston photographer Jeffrey Dunn shines as he photographed America's Ballroom Challenge for Public Television's presentation...

Jack Neubart  |  Dec 01, 2007  | 

Just when I thought I'd seen her at her best, Lois Greenfield steps it up a notch and amazes me once again with her sharp eye for the body in motion. "Sharp" is the operative word here. Many photographers, myself among them, may accept a little blur in a fast-moving subject. Not Greenfield. She learned long ago that if sharpness and crisp detail are important to...

Jim Zuckerman  |  Apr 01, 2009  | 

One of the traditional compositional guidelines that many artists and photographers adhere to is that a subject’s movement should go toward the center of the frame. You can see this method of composing an image in the photo of the frigate bird (#1) that I placed on the left side of the frame; it is flying toward the imaginary vertical center line of the image. Similarly, I placed the tall...

Jay Abend  |  Dec 01, 2000  | 

You're all familiar with Murphy's Law--Anything that can possibly go wrong will go wrong. Certainly being a working photographer is a great way to see Murphy's Law in action on nearly a daily basis. While I pride myself on being prepared for every...

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