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Ron Leach  |  Oct 21, 2022  | 

We’ve talked a lot in the past about the difficulty of properly exposing landscape photos, because of ever-changing light and the wide range of brightness that often occurs within the frame. It’s often just as challenging, for different reasons, to attain proper focus—an equally critical consideration.

Ron Leach  |  Oct 26, 2023  | 

Last week we featured a very popular tutorial, explaining several reasons why landscape photos may be unsharp, with a foolproof technique for solving the problems. Today's lesson takes a similar approach with regard to capturing crisp images of birds.

Ron Leach  |  Jul 07, 2023  | 

Let's say you've tried all the conventional advice for capturing sharp photos, and some of your images are still soft. You use a tripod, choose the right aperture, shutter speed, and focus area, yet nothing seems to work.

Ron Leach  |  Mar 22, 2023  | 

All photographers strive to create photos with accurate focus, and most of us prefer to get things right in the camera. This saves time during the editing process, and helps avoid the temptation to take things too far—ending up with an unsightly, “crispy” effect.

Ron Leach  |  Jan 11, 2022  | 

So you come across a beautiful scene, use the camera’s histogram to nail exposure, and find a great composition. Well, you just made a great shot—unless you pull it up on the computer and discover that the image is soft.

Ron Leach  |  Mar 22, 2022  | 

Capturing tack-sharp images of birds in flight can be a real challenge, even for professional photographers. Regardless of your skill level, we’re going to help you up your game with some great advice from two experts.

Ron Leach  |  Mar 22, 2018  | 

One of the challenges with landscape photography is maximizing depth of field. That’s because well-composed images often incorporate important elements in the foreground, midground and background. Shooting with small aperture settings helps, but that approach often causes image quality to suffer, and may not yield the wide range of sharpness you desire.

Ron Leach  |  Aug 15, 2017  | 

Photographer Matt Higgs says he’s a firm believer that the best way to become a better photographer is to “go out and do things that would normally be outside your comfort zone.” With that in mind he challenged himself to hit the streets and shoot 30 portraits of complete strangers in just two hours. As you’ll see in the video below, he learned a few things along the way.

Ron Leach  |  Jun 16, 2016  | 

Our Weird Lens Guru Mattieu Stern is at it again; this time with a review of a Jupiter 21M 200mm f/4 “tank lens” that he says has “astonishing contrast and bokeh.” Stern adds that the first time he used this lens he was “blown away by the quality.”

 |  Jun 16, 2016  | 

Our Weird Lens Guru Mattieu Stern is at it again; this time with a review of a Jupiter 21M 200mm f/4 “tank lens” that he says has “astonishing contrast and bokeh.” Stern adds that the first time he used this lens he was “blown away by the quality.”

Shutterbug Staff  |  May 09, 2018  | 

Do you want to become a professional photographer? Going pro is one of the biggest leaps a serious photographer can make and we’re happy to provide some tips in the form of the latest video from COOPH, which is titled “The 7 key steps to becoming a professional photographer.”

Ron Leach  |  Jul 06, 2016  | 

The latest video from the Cooperative of Photography (COOPH) takes you on a psychedelic, three-minute journey on how to create some really amazing UV blacklight images. All you really need is some imagination and either a simple UV flashlight, lamp or specialized head for your flash unit.

Barry Tanenbaum  |  Jun 11, 2021  | 

Don't worry—you won't have to carry around a mirror. These images are all about observation and imagination.

Ron Leach  |  May 26, 2022  | 

Outdoor scenes often appear less impressive on the computer than they did through the viewfinder, and the problem never seems to be better colors and contrast than we remember. The opposite is usually true, which is why most photographers edit their work.

Dan Havlik  |  May 03, 2018  | 

One the most fun things I’ve ever done was to photograph the 24 Hours of Le Mans car race in France. Of course, I was shooting it as an amateur with very limited access to the track, the cars, and the pits. And I did go back to the hotel to catch a little sleep at one point. (But it was still fun nonetheless and I got some great shots.)

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