How about an "advanced" shooting technique that's easy enough for anyone to master in minutes? What makes this method so cutting edge isn't because it requires special skills, but rather because it delivers eye-catching effects that stand out from the crowd.
Today's post-processing tutorial is unusual because it doesn't involve improving the look of an image in any way; no color or exposure modifications, sharpening tricks, or any other enhancements. The quick video is important nonetheless because it demonstrates how to significantly streamline your workflow.
Safe storage practices may seem like a boring topic, until you lose a bunch of images that you worked so hard to create. Then you'll wish you had taken the time to store and back up your photographs properly as we've urged in the past.
We recently featured a quick tutorial explaining how to use Tone Curve post-processing tools to rehabilitate poorly-exposed photographs. But most photographers prefer getting things right in the camera, and that's what you'll learn how to do in the next six minutes.
Most photographers are gear freaks who chase the latest and greatest imaging innovations, and new cameras tend to be near the top of everyone's list. Maybe you finally want to make the switch from a DSLR to a mirrorless model, or perhaps you want a full-frame camera with more resolution.
Adobe expert and educator Colin Smith is back with another quick-and-timely post-processing tutorial that anyone can master quickly. In this video he explains the concept behind Photoshop's new Frame tool capabilities. Then he walks you through the step-by step method for using them to advantage.
Have you ever marveled at breathtaking images with a wide range of colors and impeccable exposure in different portions of the frame, and wondered how the photographer created such amazing balance? Today you'll learn the straightforward secret you're missing.
Lightroom's Basic panel is often the first stop when photographers process their images. The idea to make several global adjustments to prepare a photo for the more involved enhancements that follow. When done right you're on the path to success, but an improper approach can compromise the effectiveness of your subsequent workflow.
Experienced outdoor photographers understand why some scenes beg to be rendered in b&w, and there are two ways to get the job done. You can either set the camera to capture in monochrome or shoot in color and make the conversion during post processing.