It's often easy to capture a good photograph of a beautiful landscape scene, but what if you your goal is something great? This can usually be accomplished during the editing process, as you'll see in the tutorial below from the popular PHLOG Photography YouTube channel.
Every autumn millions make the pilgrimage to New England, the Great Smoky Mountains, a local woodland or their own backyard to capture the magnificence of Mother Nature's fiery fall foliage display. Although winter lurks just around the corner, everyone rejoices in summer's last natural fireworks celebration. Here are 10 tips from MPB to help you make the most of the annual limited-time experience.
Every year we publish the link to this useful map to help photographers and nature lovers connect with fall foliage at its peak. Folks planning travel to or living in the…
The easy-to-use Clarity tool is extremely helpful when editing outdoor images in Lightroom, Lightroom Classic and Adobe Camera Raw. In the tutorial below you'll learn how it works, why you should consider applying positive or negative Clarity, and the circumstances in which this straightforward tool should be used.
There are a bunch of misconceptions about ISO settings that can hold you back when shooting in the field. Some photographers always shoot at ISO 100 in attempt to avoid noise, while others choose the highest setting available to eliminate camera and subject movement when photographing motion.
The first thing most landscape photographers do upon arriving at a location is pull a trusty wide-angle lens out of their bag. It's true that telephoto lenses are growing in popularity for this purpose, but today's tutorial is all about making the most of whatever wide-angle prime or zoom that you own.
ISO is a basic camera setting with a big impact on the photos you shoot when it comes to exposure, image quality, and other important variables. Unfortunately the simple concept is misunderstood and often results in images that don't meet expectations.
It can be discouraging for many photographers to see their well-healed counterparts shooting with a camera-lens combo that runs far beyond five figures. But one pro says you really shouldn't feel bad that you can't afford expensive gear, because it's possible to capture great images with bargain cameras and lenses if you know a few tricks.
Landscape photographers think a lot about the color palette when editing their work. But thoughtfully optimizing color in the camera is equally important and will save you plenty of time behind the computer.
One of the most daunting challenges faced by landscape shooters is optimizing sharpness in scenes with important objects in the foreground, midrange, and background of the frame. That's because even if you stop your lens all the way down to f/22 there's insufficient depth of field to maintain sharpness from here to there.
One of the most effective ways to transform good landscape photos into great ones is by adding depth and dimension during the editing process. And an easy way to do that in Lightroom is with straightforward adjustments to colors and contrast.
At some point along their journey most photographers think about leaving the comfort of shooting in Auto and experimenting with Manual mode—even if they decide to revert to Aperture or Shutter Priority after giving Manual a try. The beginners guide below explains all the basics for switching your camera's mode dial to "M."
Whether your strategy to beat this summer's heat involves the beach, the municipal pool or the backyard sprinkler, you can capture the fun with a waterproof, all-weather camera. Bonus— they're not just for summer. They also stand up to spring showers, wintry blizzards and the grubby hands of children.
If you ask a bunch of accomplished landscape photographers to name their most difficult challenges, they'll likely express two key considerations. One is arriving at a correct exposure in scenes with a wide-range of tones from bright highlights to deep shadows. Another is achieving sharp results when there are a number of objects within the frame.