Travel Photography How To

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Barry Tanenbaum  |  Sep 25, 2015  |  0 comments

Dr. Alan Sloyer, traveling with his son in Kochi, India, somewhat reluctantly agreed to a sunset cruise. “It wasn’t really my thing,” Dr. Sloyer says, but when sunset turned startlingly dramatic it became very much his thing: a passion for photographing memorable travel moments.

Dan Havlik  |  Sep 16, 2015  |  0 comments

If you’ve visited Shutterbug’s galleries, you’ve likely seen Douglas Croft’s splendid work. A specialist in nature, outdoor, and travel photography, Croft’s gorgeous images have received glowing remarks from fellow Shutterbug readers.

Jon Sienkiewicz  |  Jul 17, 2015  |  0 comments

I’m a walking battery holder. My iPhone, MacBook Air and Fujifilm X-T1 all contain lithium-based batteries. And I have spares. My Maglite and Casio travel alarm have alkaline cells inside. And my Tag watch has a—well, I know. It has a battery, but I have no idea what kind. Oh—and there’s a lithium DL 2025 in my car key. Add my tonnage to the other 415 similarly equipped passengers on a typical 747 and that adds up to big a pile of volatile chemicals. Little wonder that the FAA and other government agencies are rightfully concerned. 

Blaine Harrington  |  Jul 03, 2015  |  0 comments

You might say that images from distant, exotic locations are the stock and trade of a professional travel photographer, and certainly in my case you’d be mostly right. Those images pay off commercially and artistically, and when I can make them in places I’ve never before visited, they provide the added satisfaction of exploration and discovery.

Josh Miller  |  Jul 01, 2015  |  0 comments

I think I speak for nearly every photographer when I say going to a new location excites me, especially if it is one I have dreamed about for years. We all dream of these once-in-a-lifetime photo adventures. But the truth is for most photographers, the majority of our shooting is actually done in locations that are closer to home and allow us to return more regularly.

Chuck Gloman  |  Jun 30, 2015  |  0 comments

The Arctic National Wildlife Refuge (ANWR) in northeastern Alaska consists of 19,286,722 acres along the Alaskan North Slope, and supports a greater diversity of flora and fauna than anywhere else in the Arctic Circle. It was established in 1960 and is governed by the U.S. Fish and Wildlife Service. It receives only about 1,500 visitors a year.

Cynthia Boylan  |  Jun 17, 2015  |  0 comments

COOPH (The Cooperative of Photography) recently partnered with photographer Ray Demski to create a video that highlights 14 smart and practical travel photo tips and tricks. The video, which is embedded below, was shot in beautiful Venice, Italy and features tips to make your photo adventure much easier, safer and more fun.

Jack Neubart  |  Jun 16, 2015  |  0 comments

Travel and nature photographer John Shaw lives his dream, traveling the world with his camera, without deadlines or obligations. His images go toward stock sales worldwide, in addition to being used in his many books. While he doesn’t shoot on assignment, magazine editors familiar with Shaw’s work will come to him when needed, or he’ll occasionally pitch story ideas to them when planning a trip.

Paul Reiffer  |  Jun 15, 2015  |  0 comments

Paul Reiffer is a commercial and landscape photographer who shoots with a Phase One medium format camera system. Reiffer is known for his city and landscape photography and he travels the globe extensively looking for the perfect shot. In this story, Reiffer offers ten tips on how to take the best vacation photos.

Barry Tanenbaum  |  May 08, 2015  |  0 comments

It’s not your typical image of that place then, which means Mirjam Evers has done her job well. She has images of the colorful chaos of revelers in full regalia, but the challenge is to get something special. “The travel publications I work for ask for something different and unusual,” Evers says. “She was posing, and most of the photographers were shooting from eye level, so I crouched down.”

Maria Piscopo  |  Apr 07, 2015  |  0 comments

The photography of natural disasters and human tragedy—from earthquakes to suicide bombers—is an area of photojournalism filled with challenges. Photojournalists often face both physical and emotional obstacles but still need to keep a cool head and continue capturing the images. While their photos will tell the story of the event, photographers have their own personal stories to tell as well. The accounts told here are mostly about business but also touch on the heart of why someone takes on this area of photography and keeps going despite the emotional toll. We discuss issues of privacy and model releases, working at a disaster scene, what agencies to coordinate with, handling injury and trauma, and the pros and cons of pursuing this work.

Blaine Harrington  |  Mar 06, 2015  |  0 comments

A recent shoot offered a spectacular setting, cooperative subjects, wonderful lighting, great colors, a number of advantageous positions from which to shoot—and a challenge for a travel photographer used to roaming cities and countryside in search of images.

Barry Tanenbaum  |  Feb 20, 2015  |  0 comments

Not too long ago we received these notes from photographer Daryl Hawk about his April, 2014, journey across the kingdom of Ladakh:
“Traversed the entire region from the Pakistan border in the west to the Tibetan border in the east…crossed the Khardung pass at 18,380 feet on the highest motorable road in the world…lived with both nomads and residents…explored 25 ancient monasteries and fortresses…tracked snow leopards, discovered petroglyphs and sacred lakes…had a meeting and interview with the King of Ladakh.”

Barry Tanenbaum  |  Feb 18, 2015  |  0 comments

[Column Note: Most people come to professional photography by traveling a familiar route: from an early fascination with cameras, to photo classes and courses, followed by assisting a pro to gain some real-world experience. Then comes striking out on one's own as photographer, which, if all goes well, is followed by the frequent printing of invoices. Others, however, arrive at a pro career sideways—that is, coming at it from another occupation. The stories these "second career" pro photographers tell tend to be quite interesting, even inspirational. And those stories are what this new online column, titled Going Pro, is all about.]

Blaine Harrington  |  Dec 26, 2014  |  0 comments

According to a photo industry writer I know, I do something that’s a bit unusual: I freely admit that sometimes I’m too close to my own photographs to judge them objectively, and because of that, I ask for help.

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