Opinion

Sort By:  Post Date TitlePublish Date
Dan Havlik  |  May 31, 2018  | 

The below video from photographer Daniel DeArco is a little different from the ones we’ve featured on Shutterbug in the past. It’s not exactly a How-To video but you may learn a lot about how to get your photos noticed.

Shutterbug Staff  |  May 29, 2018  | 

What is the best lens for portrait photography? That is an eternal debate amongst photographers, one that pro portrait shooter Manny Ortiz has jumped into with the below video.

Shutterbug Staff  |  May 22, 2018  | 

We recently shared a video where photographer and YouTube personality Matt Granger picked his 9 favorite Nikon F-mount lenses. Well, another popular YouTuber has gotten into the act and chosen what he calls “the 5 best Nikon lenses for full frame” DSLRs.

Dan Havlik  |  May 17, 2018  | 

Manny Ortiz is a professional photographer we turn to again and again for inspiration and instruction. In this video titled “All Photographers Take Bad Pictures,” he offers a little bit of both.

Jon Sienkiewicz  |  May 16, 2018  | 

Even people who are passionate about photography often make common mistakes that prevent them from reaching their maximum potential. No one is immune. To advance to the next level of proficiency, overcome the tendency to fall victim to these common goofs.

Dan Havlik  |  Apr 23, 2018  | 

Professional photographer Darren Miles knows how to start an argument. And because it involves one of our favorite topics – choosing the right lens for your camera – we thought we’d share it with you.

Jon Sienkiewicz  |  Mar 29, 2018  | 

Throughout history, photographers (famous and not so) have described photography in their own words. This article isn’t about that—because that horse has been ridden so many times that the saddle sores have saddle sores. This is a request—an invocation if you will—for you to express how YOU define photography.

Jon Sienkiewicz  |  Mar 22, 2018  | 

In an age when fast food coffee cups are marked “Caution: Hot” it’s unfortunate that some of the hidden hazards photographers encounter don’t have warning signs. Forewarned is forearmed, as wise men say. Or as I like to say, sometimes the difference between a disaster and a minor annoyance is knowledge, experience and preparation—or accidentally stumbling upon some obscure piece of advice on the internet.

Ron Leach  |  Oct 11, 2017  | 

Film photographers from yesteryear, as well as today’s 35mm hipsters, have eagerly awaited Yashica’s triumphant return to the digital era with a widely teased camera promising “a journey to the truth.” But now that the camera is here, it’s a major letdown—at least for me..

Ron Leach  |  Oct 05, 2017  | 

We rarely use this space for opinion pieces, but Google’s new Clips camera really bugs me and I’m going to rant a bit, so please bear with me. Billed as “A new way to capture big moments and little ones,” Clips works in tandem with the Google Pixel 2 smartphone (as well as with Samsung’s S7/S8 and the iPhone 6 and up) to let you “shoot and share like never before.”

Seth Shostak  |  Sep 07, 2017  | 

Before you bought your last camera, did you weigh the pros and cons of the sensor’s aspect ratio? My guess is no—not in the face of more solemn considerations such as style, trim, and a boastful shoulder strap.

Shutterbug Staff  |  Aug 18, 2017  | 

Here’s something to ponder this weekend: what will happen to photography in the future? To help celebrate World Photo Day – which is Saturday, August 19th, COOPH has weighed in with 10 predictions.

Jon Sienkiewicz  |  Aug 10, 2017  | 

Here are seven film shooting skills that make you a better digital photographer. And I’ll bet my last roll of Tri-X that they work.

Michael Chiusano  |  Jul 06, 2017  | 

Today’s digital cameras have become so adept at almost any shooting situation that, paradoxically, they can inhibit creativity by always delivering a technically perfect result. With little effort, a photographer can produce a sharp, clear, well-exposed image, color balanced and, well, a bit too perfect.

Jon Sienkiewicz  |  Apr 13, 2017  | 

I used to believe that the Auto setting on a camera was something to be avoided the way a tired waitress avoids eye contact when you’re signaling for a coffee refill—she can’t deny that you’re there, but she can ignore the hell out of you. I still feel that way about fully auto exposure, but my maniacally stubborn attitude toward Auto ISO is softening like marshmallow Peeps in a microwave.  

Pages

X