On The Cover Believe it or not, but Hugh O. Smith photographed the City Hall in Oceanside, California, with a pinhole camera, the Zero 2000 6x6 Deluxe. To see more of his unique pinhole images, see page 94. For further alternative camera inspiration, be sure to explore Tim Verthein’s article on TtV photography on page1...
Although the images you create are in color (RGB) you also have the ability to create black and white images in your digital camera using the Monochrome “creative” or “picture style” setting.
Creating slide shows used to be a time consuming task—getting the slides in the right order, making sure nothing was backwards or upside down in the slide tray (and not dropping the tray!), and setting up the screen and projector. And,let&...
Metering modes determine how light is interpreted and translated into photographic terms. The exposure meter and accompanying microprocessor measure and convert various brightness levels to aperture and shutter speed values, which are the way the camera controls light, and set them for you in the Autoexposuremodes...
On The Cover Welcome to our annual lighting special, where our resident pros share their best gear, shooting tips, and setups. In addition to our multitude of lighting Test Reports, we have multi-flash and portable studio light roundups. We also explore the possibility of using older flash units on D-SLRs. Finally, lightingas...
When I began as a photographer, my biggest concern with metering was having an image that just “came out.” That simply meant that the exposure was accurate and the image wasn’t severelyunde...
Most photographers dream of accomplishing two things in the publishing world: The first is having their work featured in a national publication such as Shutterbug, National Geographic, or maybe Playboy and the second is showcasing theirph...
Scientists at Stanford University are attempting to revolutionize photography with the development of a unique “open-source” digital camera platform they say will provide programmers with the freedom to fine-tune acam...
On The Cover As you can tell from our unique cover image taken by pro Don Dixon (see more of his work on page 52), this month we’re diving headlong into the creative options made possible by a range of image-processing tools, from plug-ins to graphics tablets. In addition, we have tests on the latest D-SLRs fromCano...
The human eye sees light in the moment. Film or sensors accumulate light through an entire exposure, as if it were a memory. Photons continue making impressions wherever they land on the sensor or film. Moving objects leave a distended, time-lapsei...
As the end of this decade approaches, I found myself pondering the direction our technology-driven industry has taken and some prognostications Shutterbug writers made back in 1999 about the future of photography. Let’s take a look back and see...
There’s something magical happening in the sky all the time—if we only bother to look. Whether it’s sunrise, sunset, or a front passing through, the sky offers an amazing diversity of light, color, and subject matter. However, photographs of the skysometimes...
On The Cover This month our focus is on lenses and pro Steve Bedell checks the specs and weighs in on why you may or may not want to keep using pro-quality lenses for your work. In addition, we have a Test Report on the latest Zeiss Planar T* 85mm and 50mm lenses. Aside from optics, we have an exclusive interview with mastercr...
Faced with ever-declining demand in this digital age, Eastman Kodak recently announced it was retiring Kodachrome—it’s oldest film stock—which was long favored by professional and amateur photographers alike for its rich,vibrant...
Now we come to how exposure and creative photography go hand in hand.
Why would you need to change the aperture or shutter speed under different lighting conditions? Why would you want to use a fast shutter speed for one shot and a slow one for another? Why change apertures or ISO?