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 |  Jul 28, 2009  | 

Seeing Pictures: Negative Space

What’s Not There

by Jim Zuckerman

The concept of negative space has to do with compositional balance. Negative space simply means an area of an image that is largely devoid of subject matter. In other words, it’s a blank area like the sky, an expanse of plaster, the surface of a...

 |  Jul 01, 2009  | 

July 2009

On The Cover
Welcome to our mid-year photo gear roundup, featuring the newest products from the top US photo trade show, PMA (Photo Marketing Association). We assembled a team of reporters to cover the show to bring you the latest and greatest gear coming your way in 2009. You’ll notice the theme of our coverage isaccessor...

 |  Jun 30, 2009  | 

Equivalent Exposure

by George Schaub

Now we come to how ISO, aperture, and shutter speed relate to one another. They exist to balance the amount of light in the scene with the recording made by the sensor and ultimately made into an image file on the memory card. Your goal is to record the scene with as true and balanced a color and lightnessof...

 |  Jun 30, 2009  | 

Get More Highlight And Shadow Detail

Using A D-SLR’s Dynamic Range Expansion Feature

by Peter K. Burian

In an ideal world, all digital photos would be technically perfect: well exposed and exhibiting detail in all areas including any bright segments, the mid-tones and in dark shadow areas. While that level ofdetail...

 |  Jun 19, 2009  | 

Industry Perspective

Young Adults: Highly Engaged in Photography

by Ron Leach

InfoTrends, a leading market research firm in the digital imaging industry, recently released two surveys detailing the enthusiastic photography-related habits of young adults between the ages of 18 and 24. Given the popularity of socialnetworki...

 |  Jun 12, 2009  | 

With a focal length of 24mm (35-mm-film equivalent) the Samsung WB500 offers very nice wide angle capabilities. The user can take images even in cramped and small rooms or use the wide angle setting for impressive landscape images. With a maximum setting of 240mm the lens systems allows forn...

 |  Jun 03, 2009  | 

The Panasonic TZ7 creates images with a nearly perfect saturation of 101.3%. The automatic white balance showed an ambivalent behavior: Darker neutral grays are shifted into the blue and magenta areas, the brighter gray fields have a tendency to be more apparent in yellow areas.

Sharpness:
The camera offers a nominal resolution of...

 |  Jun 01, 2009  | 

June 2009

On The Cover
When Chris Alvanas first started taking HDR photographs he was drawn to subjects he could portray with an edgy, even eerie feeling, like this fishing boat at a Newport, Rhode Island, pier. A distinct preference to turn HDR toward the dark side still plays into Alvanas’s plans and digital darkroom work.Explor...

 |  May 26, 2009  | 

Industry Perspective

GPS-Enabled Cameras and Other Geotagging Options

by Ron Leach

Whether you’re a backpacker, sailor, cyclist or simply a motorist, you are likely familiar with GPS devices which receive latitude, and longitude coordinates from global-positioning satellites to pinpoint your location. Applying thisg...

 |  May 26, 2009  | 

Commentary

Spring Cleaning: Some News Flashes from the Past

by George Schaub

The rush of events in the past few years has left us all fairly breathless, what with the pace of change wrought by digital. As product trumps product, and new operating systems and formats rush to grab our attention, older systems and gearquick...

 |  May 26, 2009  | 

Exposure Tips

Bracketing And Processing Multiple Exposures

George Schaub

One technique to expand the dynamic range potential of an image, in other words, to overcome contrast problems, is to make a number of exposures at different settings of the same scene and combine them later to pull the best out of each exposure.Ther...

 |  May 01, 2009  | 

May 2009

On The Cover
This month we share the gear and tips you’ll need to make great photos during your travels. For example, we tell you the six handy accessories to pack before hitting the road. We also have a “geotagging” update on the devices and software you need so you’ll always know where you took thoseshot...

 |  Apr 28, 2009  | 

In Brief

Tiffen Dfx Essentials

by George Schaub

While Tiffen made their name in Hollywood studios, the photo community always checked out Tiffen when anything from a polarizer to a center halo filter was called for in the shot. But those were the days when photographers put filters over their lens rather than gaining effects vias...

 |  Apr 28, 2009  | 

Exposure Diagnostics

The “Blinkies”

by George Schaub

When scene contrast is high there may be a danger of overexposure, particularly when you do not take care to read the highlight values to keep them well within the dynamic range capability of the sensor. When overexposure is extreme you lose detail in thesub...

 |  Apr 28, 2009  | 

Industry Perspective

The Passing of a Legend

by Ron Leach

America lost a national treasure with the recent passing of celebrated New York street photographer Helen Levitt. Born on August 31, 1913 of Russian-Jewish immigrants, Levitt died peacefully in her sleep on March 29 at the age of 95.

After dropping...

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